© Benjamin Rasmussen for The New York Times
German football has long insisted there is more to their elite league than a title race. Now they have a story that shows the world that surprise and wonder does live here too
Friday night was no first day fun for VfB Stuttgart as they got first-hand proof of what the rest of the Bundesliga feared: that Bayern Munich are perhaps mightier than ever. The curtain-raiser, though, didn’t actually set the tone for the the weekend. German football has long insisted there is more to their elite league than a title race, and now they have a story that shows the world that surprise and wonder does indeed live here too.
Bayer Leverkusen arrived into their opening fixture of the campaign thinking their season might contain greater certainty than the last one, a more tranquil voyage after being blown off course by almost €300m of player sales and the ill-fated appointment of Erik ten Hag. Enter SV Elversberg, Bundesliga first-timers and representatives of – a “miracle village” as Bild put it – Spiesen-Elversberg, a town with a population of just over 13,000, situated 15km north-east of Saarbrücken, 30 minutes’ drive from the French border.
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© Photograph: Alex Grimm/Getty Images
© Photograph: Alex Grimm/Getty Images
© Photograph: Alex Grimm/Getty Images
Its moguls are ripe subjects for drama, and there is huge anticipation for forthcoming features The Social Reckoning and Artificial. But other projects have failed as the film industry is increasingly colonised by IT empires
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‘I know there are easier enemies to make,” tech reporter Jeremy Allen White tells his colleague in a recent trailer for The Social Reckoning. “The mafia would be an easier enemy to make,” comes the reply. They’re talking about Mark Zuckerberg’s Meta, but they might as well be discussing big tech as a whole. As The Social Reckoning promises to underline, it’s become clear that these people are not on our side – “us” being the whole of humanity except billionaire tech overlords and their mates. But for an industry that loves a clear-cut baddie, Hollywood has barely landed a blow on the tech industry. Now it finds itself in mortal danger of being absorbed by it. Is it too late to fight back?
The Social Reckoning’s predecessor, The Social Network, showed how this kind of thing is done. It was pacy, buzzy and full of weirder-than-life characters – not least the young Zuckerberg, portrayed by Jesse Eisenberg as an obnoxiously smart mogul-in-the-making, whose mission to connect the world stood in stark contrast to his own social deficiencies. Directed by David Fincher and co-written by Aaron Sorkin, it was also a commercial and critical hit, winning three Oscars. But a big part of what made The Social Network work, and makes its sequel such a threat, is that it was about the actual, real-world Silicon Valley, which is where a lot of recent entertainment has gone wrong.
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© Photograph: Everett Collection Inc/Alamy
© Photograph: Everett Collection Inc/Alamy
© Photograph: Everett Collection Inc/Alamy
© Jason Henry for The New York Times
Those who said Meta harms children struck a blow, but the ability of big tech to gouge profits and cause harm is barely diminished. That’s the battle to come
Follow the money. If you want to know how the tech giant Meta really feels about the $18bn it agreed to fork out to end a landmark lawsuit against it – an outcome widely hailed as a victory for campaigners – just look at its share price. It didn’t go down when word came on Wednesday that Meta had settled with the 29 US states that had argued that the company’s Facebook and Instagram platforms harmed children. On the contrary, Meta stock went up, initially surging by 5%, before levelling out at a gain of just over 1.25%. There could be no clearer proof that the money men reckon Meta dodged a bullet.
To be sure, there was plenty to hearten those who have long believed that social media damages teenagers especially, whether by exposing them to content they shouldn’t see or by sapping their self-esteem, offering them filters that show how much prettier they would look if they had cosmetic surgery or giving them a metric of their popularity – and unpopularity – in the form of a running tally of “likes” and views.
Jonathan Freedland is a Guardian columnist
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© Photograph: Wally Skalij/Getty Images
© Photograph: Wally Skalij/Getty Images
© Photograph: Wally Skalij/Getty Images
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