28-year-old still believes he will win world title one day
Kimi Antonelli misses media duties with ‘viral illness’
George Russell has insisted he will not let his difficult Formula One season define his career and believes he still has plenty of years left to come back and win the world championship.
Russell has been outdriven by his 20-year-old Mercedes teammate Kimi Antonelli in a bruising season for the British driver. Antonelli is set to win the title and become F1’s youngest world champion at this weekend’s Mexican Grand Prix if he finishes in ninth place or above.
Oliver Reed and Vanessa Redgrave put in the performances of their lives in this film originally banned for obscenity that highlights the violence of power
‘I could never be Satan’s boy. I haven’t the humility.” The speaker is Father Urbain Grandier, the 17th-century French priest accused of witchcraft, stylishly played by Oliver Reed, in Ken Russell’s scabrous 1971 classic; it is now restored and rereleased in its complete form after years of censorship. It comes from an era when movies, playing in high-street cinemas, still had the power to shock, to position that shock in the polite cultural mainstream and to compel serious discussion about whether that shock – or, conversely, a ban – was justified.
The Devils is based on a true story of politically directed mass hysteria, adapted by Russell from two literary works: Aldous Huxley’s The Devils of Loudun and John Whiting’s stage play The Devils. Of course it is obscene; obscenity is the glowing sulphurous paint which Russell is applying to the canvas. It is about obscenity – but the obscenity does not reside in the sexualised images of the crucified Christ or naked nuns disporting themselves; it is the violence of authority that is shown to be obscene. The idea of martyrs or heretics being burned at the stake has long been an accepted fact recounted in U-certificate history lessons, and a punishment which survived well into the European enlightenment. Russell shows you what it might actually look like and that is to involve a confrontational assault on good taste.
Together, they have pursued cases against the president’s enemies and protesters and amplified false claims of widespread election fraud, often citing thin evidence.