Afshar’s experiences as a young woman in Iran have shaped her artistic career in Australia, focusing her eye on the humanity within inhumane systems

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When Hoda Afshar was a teenager, coming of age in theocratic and authoritarian Iran in the 1990s, she and her friends were repeatedly arrested and physically punished by the “morality police”, for wearing their hijabs incorrectly in public and for attending underground parties. “They used to put a few of us in small solitary confinement cells together for a night or two, it was very common for my generation to experience that,” she says.

“We are part of the nasl-e sukhteh, or ‘burned generation’; the generation born after the 1979 revolution, who had to pay the price for many of the transformations and changes that happened.”

With a footprint of less than 40 sq metres, the Melbourne project required careful planning – and some spatial trickery

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Last week on a balmy spring evening, Ronnen Goren and his partner had dinner in a small pavilion on their terrace for the first time. Inside, an Aga stove was keeping their home warm. They could have retired to their sunken lounge room and cocktail bar for a nightcap, had the mood struck.

This domestic scene took place in a semi-subterranean former laundry in inner Melbourne – a space of less than 40 sq metres that was renovated at the end of 2024. On 29 October, the “exuberant” reimagining of the damp basement space in Toorak, on the grounds of the heritage-listed Quamby apartment complex, received the Emil Sodersten award for interior architecture at Australia’s National Architecture awards.