Country music fans use the Long Road festival in Leicestershire to mark the passing of Dolly Parton
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© Photograph: Orlando Gili/The Guardian
© Photograph: Orlando Gili/The Guardian
© Photograph: Orlando Gili/The Guardian
Nominated in three previous years, the rambunctious standup – one half of The Delightful Sausage – wins the prize for his show Rewilding while Marty Gleeson is named best newcomer
The annual Edinburgh comedy award has been won by the standup Chris Cantrill, two years after his comedy partner Amy Gledhill – in the raucous northern double act The Delightful Sausage – won the same prize.
Cantrill, 42 and from Bradford, received the so-called “Oscar of live comedy” for a show, Rewilding, about his new life in rural Northumberland, where an act of vandalism shocks the local community – and a spoof whodunnit ensues. It builds on the foundations laid in 2024 by Easily Swayed, which documented his move to the countryside and secured what was then Cantrill’s third nomination (but first as a solo act) for the award.
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© Photograph: Jack Kirby
© Photograph: Jack Kirby
© Photograph: Jack Kirby
Grammy award-winning American artist selected as 13th person to submit written work to Oslo-based project
The next manuscript by the American artist Laurie Anderson will remain unseen for 88 years, as she becomes the 13th figure to contribute to the Future Library project.
Anderson joins Margaret Atwood, Han Kang, Ocean Vuong and other prominent authors who have written secret manuscripts, which have been locked away until 2114.
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© Photograph: Wolfgang Tillmans
© Photograph: Wolfgang Tillmans
© Photograph: Wolfgang Tillmans
Grammy award-winning American artist selected as 13th person to submit written work to Oslo-based project
The next manuscript by the American artist Laurie Anderson will remain unseen for 88 years, as she becomes the 13th figure to contribute to the Future Library project.
Anderson joins Margaret Atwood, Han Kang, Ocean Vuong and other prominent authors who have written secret manuscripts, which have been locked away until 2114.
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© Photograph: Wolfgang Tillmans
© Photograph: Wolfgang Tillmans
© Photograph: Wolfgang Tillmans
Working in a high-end restaurant was stressful and scarring. It took an accidental encounter with the TV show to help me heal – and change my attitude towards work
Eight years ago, I was working as a waitress in a fine dining restaurant in the Cotswolds. The expertly crafted atmosphere had dim mood lighting, ambient music and a farm-to-table menu. I hated it.
The other waiters could charm guests into purchasing expensive bottles, but I just gaped gormlessly when I struggled to recall the wine pairings. My brown leather brogues gave me blisters as I’d hobble to the kitchen to admit I’d forgotten an order in the middle of a busy dinner service. The chefs would shout and shake the ticket in my face.
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© Illustration: Martin O'Neill/The Guardian
© Illustration: Martin O'Neill/The Guardian
© Illustration: Martin O'Neill/The Guardian
If you haven’t yet heard about how a certain fella is choosin’ a woman from Texas over Ella Langley, it’s only a matter of time.
Langley’s massive hit, “Choosin’ Texas,” began dominating the Billboard Hot 100 charts a few months ago — and never looked back. It’s still sitting at No. 1 after 19 weeks, tied for the longest time spent atop the charts among non-holiday songs. In a few more weeks, Langley could shatter the all-time record and dethrone Mariah Carey’s “All I Want for Christmas Is You.”
It’s a runaway success for Langley, who is relatively new to country music but has quickly vaulted to a new tier of stardom. To break down how it happened, Today, Explained turned to Marissa Moss, a senior writer at Rolling Stone and the author of Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be.
Moss talked with Today, Explained co-host Noel King about where Langley’s success came from, what it means for women in country music, and why many fans don’t know what to make of Langley, who has maintained a low profile for a star artist.
Below is an excerpt of the conversation, edited for length and clarity. There’s much more in the full podcast, so listen to Today, Explained wherever you get podcasts, including Apple Podcasts, Pandora, and Spotify.
Tell me about “Choosin’ Texas.”
“Choosin’ Texas” is a song about a woman who is essentially losing her man in real time. She goes to a bar or a honky-tonk in Texas. She’s from Tennessee. She suddenly realizes that he sees his ex who’s from Texas and drifts away from her to this woman. It’s that feeling of knowing when you see it in someone’s face that they’re going to be leaving you and figuring out whether it’s worth it to hold on or to let go.
How big is this song, exactly?
It is huge. It is up there right now in competition with Mariah Carey’s “All I Want for Christmas Is You,” which owns the record for the most weeks at No. 1 on the Billboard Hot 100 with 22 weeks. Her only [other] competition is from Shaboozey and Lil Nas X, which are country-adjacent songs.
She really could blow by Mariah Carey. Of course you get a boost every time Christmas comes around, but we’re a little ways off from Mariah Carey declaring once and for all that it’s Christmas season. So I think Ella has plenty of time to catch up. And it could be the biggest song of all time, which is crazy.
You’re a music writer and you’re based in Nashville. How big a deal is Ella Langley in a place like Nashville and in the country industry?
She’s a big deal. And it’s exciting because she’s a relatively newish artist in terms of how long she’s been putting out music. She only released her debut album in 2024, called Hungover.
It’s really exciting because as a lot of people know, it can be really hard for a woman to make it in Nashville. Usually under 10 percent of songs on country radio are by women, so having someone like her out there and having so much country radio airplay and presence on the Hot 100 and breaking all these records, you really hope that it’s going to help influence people in Nashville to sign more women, platform more women, do all of those things to try to sort of flip this longstanding sexism that has existed in Nashville.
Not to put all of our hopes and dreams on one woman, because it’s not up to her to do this. It’s up to the industry to respond. But you sure have to hope so.
Was it a surprise that “Choosin’ Texas” became such a big hit?
I would’ve never predicted this. I loved the song when I heard it, but I don’t think I ever thought that something this country could be this popular.
“Despite the lyrical content, which may be a little bit of a bummer, the song does just feel so good. And it’s like a little bit of a brain weed gummy.”
And yes, country music is becoming so much more popular nationwide, worldwide. But it is also country music in a lot of ways that is a little bit more pop-leaning. Morgan Wallen is extremely popular, but he’s not putting out super-twangy tears-in-your-beer kind of country music songs.
“Choosin’ Texas” is kind of sad, but more than sad, I think it’s relatable. It taps into this feeling that a lot of people have, especially in the summer. If you’re thinking about a summer romance, of losing something that you once had, of letting go, of nostalgia, I think that’s something that we really want to feel right now.
And despite the lyrical content, which may be a little bit of a bummer, the song does just feel so good. And it’s like a little bit of a brain weed gummy. The second it comes on and you hear that little guitar lick it relaxes you. It gives you that summer feel of airy and fresh and a lot of people want to feel that way right now.
You’ve said she’s not a person who shares a ton about herself. Probably smart in this day and age. But country music often does get politicized. And I’ve seen that happening a bit around her and around this song. Tell me about the way she is being slotted into certain perspectives in the US, whether she wants to be or not.
One thing I’ve seen is a lot of people from the far right wanting to use her as an example of a return to sort of this anti-girlboss era. They like to take the fact that she speaks about her faith on stage and warp that into that being sort of her overriding agenda and that she wants this return to traditional values.
And then on the left, I’ve seen some people sort of play with the same. I personally think you could just as easily make a case that she’s a feminist who had Miranda Lambert produce her album and writes with women and takes all these women on tour.
So many people want this moment to serve their own narrative and want Ella Langley to stand for something on every side. And if you don’t give people a little, they’re going to go wild. But maybe that’s better than putting your personal views out there and having them ripped apart. I can’t say I really blame her, to be honest.
A family day in a Florida back yard was the setting for a summertime memory it would be impossible to recreate
Trace Meek is abundantly proud of his Florida back yard. For the last 10 years, he and his wife, Lauren, have worked diligently on it. “It’s our happy place,” he says. “We live in Belleair Bluffs, and I’ve watched my son and daughter grow up playing in the dirt under our giant oak trees, swinging on the tree swing, riding their bikes and scooters on the circular path, and swimming in our pool. It’s big, with a really deep end and three water fountains that shoot over the top. We like to have a last jump into the pool before bed and, best of all, there are no iPads or TVs.”
The family had friends visiting for 4 July celebrations when Meek took this photo on his phone. There were six adults, six children and two dogs present. Harvey, a braque français, is pictured here on Lauren’s lap.
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© Photograph: Trace Meek
© Photograph: Trace Meek
© Photograph: Trace Meek
From cover design to shelf placement and influencer partnerships … how publishers will persuade you to buy their books this autumn
Think about the last book you bought. How did you choose it? Was it from a recommendation, a review, a TikTok video? Did the cover grab you, were you swayed by the quotes on the front, or did you just happen to spot it on an appealing table as you walked into the shop? Did you think about all the nudges that led you to that decision – by the publisher, the bookseller or that person you follow on Insta?
The reality is that our reading choices are directed and massaged at every turn. “It’s all about the art of persuasion,” says Philip Gwyn Jones, who was a publisher for more than 30 years and is now a literary agent. And who are the persuaders? They’re the booksellers, the supermarket stock buyers, the publishing houses and their ranks of marketers and publicists. And, more recently, persuasion often comes from BookTokers and online influencers, social media videos, podcasts and Instagram posts. How is all this changing publishing?
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© Illustration: Giacomo Gambineri/The Guardian
© Illustration: Giacomo Gambineri/The Guardian
© Illustration: Giacomo Gambineri/The Guardian
Country star came to South Yorkshire town in 2007 for UK launch of the Imagination Library, her book donation scheme
Shane Jarman was up a ladder decorating a Christmas tree at the school where he was deputy headteacher when he got a call asking him to come to Rotherham hospital ASAP. It was December 2007 and Jarman’s wife, Claire, had given birth the previous day to their first child, a girl called Emma, so of course he rushed to the phone. All was well, he was told, but that “everything would become clear” when he got to the hospital.
Once there, his wife told him – somewhat unexpectedly – that they were going to meet Dolly Parton. “And literally within what felt like five minutes,” he recalled, “there were great camera flashes, lots of noise, lots of clicking and in walked this real big bundle of energy.”
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© Photograph: The Rotherham NHS Foundation Trust
© Photograph: The Rotherham NHS Foundation Trust
© Photograph: The Rotherham NHS Foundation Trust
Their un-Googlable, very online name is the antithesis of this earthy duo’s sublime art-folk. Like their emotionally ambiguous music, the pair don’t give up their mysteries easily
• The best music of autumn 2026: Johnny Marr, Phoebe Bridgers, Rachel Chinouriri and more
• See all of our unmissable autumn arts recommendations here
Victoria Rose arrives at Philadelphia’s 30th St Station and apologises for the sticky streaks covering her car’s interior. She’s a beekeeper, and it’s just propolis, a resinous sealant for gaps in the hive. Her bandmate, Stone Filipczak, is riding shotgun, and her protective gear occupies the rear passenger seat. We’re heading to one of their favourite spots, an Ethiopian restaurant that doubles as a venue. The dining room quickly gets boisterous – a challenge for our interview given that Filipczak and Rose are relatively soft speakers, and not wildly keen to divulge specifics about the music they make as @. Like Rose’s bees, they’re a secretive and self-sustaining pair.
As you might guess, @ is pronounced “at”. It’s a tough Google. The name, Filipczak explains, came from “a vision of an @ sign on a kick drum head”. Not that they have any need for one: @’s art-folk is rooted in acoustic guitar, woodwinds and vocal harmonies that furrow and frolic. Their fantastic second album, Autosmile, is their first with the venerated indie label 4AD. (The name is a reference to a meme showing a dopey sunflower: “When you and gang faded and auto smile gets turn on …”)
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© Photograph: Ingmar Chen
© Photograph: Ingmar Chen
© Photograph: Ingmar Chen
Monkey Barrel Comedy, Edinburgh
Cantrill shares his struggles descending into middle age and his awkward interactions with fellow villagers in a fun show
Now a four-time nominee for the Edinburgh comedy award, Chris Cantrill is bearing down on James Acaster’s always-the-bridesmaid record – unless 2026 proves to be his year. Would it be merited? Well, there are few comedians in whose company it is more reliably fun to spend time. And that’s resoundingly the case with Rewilding, the follow-up to 2024’s Easily Swayed, in which Cantrill gave an uproarious account of turning 40, moving to the countryside and having (the male, northern, emotionally stunted equivalent of) a breakdown.
The sequel is scarcely less entertaining, but it’s not as well constructed, and its story is less resonant. It begins with this ebullient Bradford native explaining how bad he is at introducing himself, with reference to “drinks and nibs” his wife has coerced him to attend in their Northumbrian village. Cantrill is chronic at small talk, he tells us, yet adept at code-switching – as demonstrated in the company of the “gen Z girls and gays” who love him, rural workers whose opinions he meekly opposes in the pub, and the private-school boys who (as per one gloriously indiscreet section) call the shots where Cantrill works, on Saturday Night Live UK.
At Monkey Barrel Comedy, Edinburgh, until 30 August
All our Edinburgh festival reviews
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© Photograph: Jack Kirby
© Photograph: Jack Kirby
© Photograph: Jack Kirby
Irish noisemongers Gilla Band, shadowy producers Two Shell and lovable band the Big Moon have new records, and there are tours from Bob Dylan and Kelela – plus the best of jazz, global and classical
• ‘It’s easier when nobody’s watching’: inside the secretive and sublime freak-folk of @
• See all of our unmissable autumn arts recommendations here
© Composite: Guardian Design/Kaio Cesar/Patrick McCormack
© Composite: Guardian Design/Kaio Cesar/Patrick McCormack
© Composite: Guardian Design/Kaio Cesar/Patrick McCormack
At the newly reopened King’s theatre in Edinburgh, as part of the international festival, Geoff Sobelle’s Clown Show is a dizzying whirl through US history
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© Photograph: Murdo MacLeod/The Guardian
© Photograph: Murdo MacLeod/The Guardian
© Photograph: Murdo MacLeod/The Guardian
Reading Festival
There’s not much time to dig into her deep catalogue of future-facing pop, but she satisfies the hardcore
“Time itself is a circle,” as the rock’n’roll philosopher Nietzsche once said, accurately foreshadowing Charli xcx’s only UK festival appearance this summer. Like her performance on Glastonbury’s Other Stage last year – a pyrotechnic farewell to the puke-green reign of Brat – Charli’s Reading and Leeds appearance is a not-quite-headline slot that also follows a rowdy set from grime don Skepta.
Yet in the past 14 months, everything else in Charli’s pop factory has undergone a hard reset. She’s released two albums – a grandiose, gothic soundtrack to Emerald Fennell’s adaptation of Wuthering Heights, and last month’s high-concept Music, Fashion, Film, an album of raw, glitching micro-rock, with guitars shredded into Tetris-like pieces, and fitted with lacerating lyrics about shopping, egotism and mortality. She’s also launched an acting career, thrown a big fat celebrity wedding and, somewhere along the way, found time to rehearse her biggest, most vertiginous show to date.
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© Photograph: Henry Redcliffe/PA
© Photograph: Henry Redcliffe/PA
© Photograph: Henry Redcliffe/PA
With Lazy Thinking in Sydney the latest venue to shut its doors, the once-vibrant grassroots music scene is becoming increasingly vulnerable
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Jim Flanagan has four days to hand his keys back to his landlord.
Panels engulfed in grungy band posters, handmade plates that have served countless customers, a shelving unit housing a library of iconic vinyls: all of it will be sold for next to nothing in the rush to vacate.
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© Photograph: Teagan Glenane/The Guardian
© Photograph: Teagan Glenane/The Guardian
© Photograph: Teagan Glenane/The Guardian
From dialogue so hokey it could be printed on a tea towel to mind-numbing storylines – how can a glossy take on John Grisham’s novel about a fiery law graduate be so tedious?
The Rainmaker was once merely an average film about lawyers starring Matt Damon. Now, thanks to the magic of television, it’s a below-average series about lawyers starring a man who looks like Matt Damon. This is one Milo Callaghan, whose jawline suggests a certain mettle, but whose acting suggests much woe. Or at least a fitful unease with the role in which he finds himself. Accordingly, he drifts around this 10-part John Grisham adaptation with the air of a man who has forgotten what he came into the courtroom for, certain only that whatever it was, it was not a drama that compels him to say things like: “Ah just wanna be a lawyer.”
Callaghan plays Rudy Baylor, an ambitious South Carolina law graduate with a social conscience and a thirst for justice. Rudy wants to make a difference but dammit if his fiery temper don’t keep conspirin’ to screw up his plans. The huffing greenhorn is even late for his first day at prestigious law firm Tinley Britt, having spent the morning hurling his mom’s lunkish boyfriend around the garden (“You think ah’m gonna let you keep leechin’ off ma mother? Gnyaaarrr!”).
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© Photograph: FlixPix/Alamy
© Photograph: FlixPix/Alamy
© Photograph: FlixPix/Alamy
The Nepal-Tibet flood disaster, Russian strikes in Kyiv, Israeli settlers in the West Bank and tributes to Dolly Parton – the past seven days as captured by the world’s leading photojournalists
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© Photograph: Navesh Chitrakar/Reuters
© Photograph: Navesh Chitrakar/Reuters
© Photograph: Navesh Chitrakar/Reuters
Campaigners say ‘seismic shift’ follows years of pressure to sever ties with oil and gas firm
The London Science Museum has ended its decades-long partnership with the oil and gas company BP in what has been described as a “seismic shift” for the museum.
The Science Museum Group academy, which was established in 2018 to provide training and resources, announced on Friday that it would be ending its partnership with BP. In a statement, the director and chief executive of the Science Museum Group, Sir Ian Blatchford, said the partnership had “drawn to a close at the end of the current contract term”.
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© Photograph: Anna Vickerstaff
© Photograph: Anna Vickerstaff
© Photograph: Anna Vickerstaff
The British Museum’s landmark cultural exchange is a symbol of post-Brexit rapprochement between Britain and France
“Harold Rex interfectus est”: King Harold is killed. As every British schoolchild knows, the Bayeux tapestry depicts a turning point in the history of these islands: defeat at the Battle of Hastings in 1066, which would lead to the ascent of William the Conqueror to the English throne. Its return to the UK for the first time in nearly 1,000 years is being hailed as a hugely historic moment in its own right. The loan of the tapestry (technically an embroidery of wool on linen) to the British Museum in exchange for UK treasures from Sutton Hoo is the ultimate manifestation of soft power – a 70-metre symbol of post-Brexit Anglo-French rapprochement in comic-strip form.
Ticket sales for the exhibition, which opens on 10 September, were the biggest in a single day in the museum’s history, with online queues of 80,000. Radio 4 is devoting a day of special broadcasts to mark the arrival of the tapestry, including a new drama with verse from the poet laureate Simon Armitage. The museum’s videos explaining this tale of ambition, friendship, betrayal and revenge are fittingly narrated by Traitors presenter Claudia Winkleman. Norman-mania is here.
Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.
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© Photograph: Ardee Napolitano/Reuters
© Photograph: Ardee Napolitano/Reuters
© Photograph: Ardee Napolitano/Reuters
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