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Prolific UK graffiti artist Helch dies

Artist rose to prominence in 2018 by painting his eponymous tag in public spots across southern England

The street artist Helch, known for murals and tags across England, has died, his gallery has said.

He rose to prominence in 2018 by painting his eponymous tag in capital letters across a string of public spots in London as well as bridges on the M4, M1 and M25.

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© Photograph: Steve Cotton/Alamy

© Photograph: Steve Cotton/Alamy

© Photograph: Steve Cotton/Alamy

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Prolific UK graffiti artist Helch dies

Artist rose to prominence in 2018 by painting his eponymous tag in public spots across southern England

The street artist Helch, known for murals and tags across England, has died, his gallery has said.

He rose to prominence in 2018 by painting his eponymous tag in capital letters across a string of public spots in London as well as bridges on the M4, M1 and M25.

Continue reading...

© Photograph: Steve Cotton/Alamy

© Photograph: Steve Cotton/Alamy

© Photograph: Steve Cotton/Alamy

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Scaring monkeys? Detecting bedbugs? Meet the elite working dogs – in pictures

John Fabiano has travelled the globe photographing dogs with jobs – from Italian truffle sniffers and Greenlandic sled dogs to Perla the hotel receptionist in Cologne

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© Photograph: John Fabiano

© Photograph: John Fabiano

© Photograph: John Fabiano

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The best art and architecture of autumn 2026

A self-confident woman strides on to the Fourth Plinth, Nan Goldin captures sex, cats and death and even the Turner Prize shows promise this year

See all of our unmissable autumn arts recommendations here

The most anticipated exhibition of the year centres on an embroidered epic of war and conquest that miraculously preserves an intimate window on the Norman invasion of Britain in 1066. Yet, you may find yourself simply fascinated by the artistry of the Anglo-Saxon women who used coloured wool to depict billowing sails, charging horses and King Harold’s spectacular moustache. Jonathan Jones
British Museum, London, 10 September to 11 July

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© Composite: Guardian Design/Eddie Otchere/ The Royal Collection/ HM King Charles III

© Composite: Guardian Design/Eddie Otchere/ The Royal Collection/ HM King Charles III

© Composite: Guardian Design/Eddie Otchere/ The Royal Collection/ HM King Charles III

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‘I’m not nervous, I’m ready’: Tschabalala Self on racist vandals and her bold striding woman for the Fourth Plinth

The last time she displayed a sculpture in public in Britain, someone covered it in white paint. But, undeterred, the acclaimed artist is a placing a black woman in Trafalgar Square

Tschabalala Self is relentlessly positive and unstoppably optimistic. The US artist is waiting for the unveiling of Lady in Blue, her new sculpture for the fourth plinth in Trafalgar Square, London, a towering, colourful painted bronze of a black woman striding (positively, optimistically) into the future. Self seems resolutely hopeful about the work, which is pretty impressive considering what happened to her last public sculpture in the UK. “Yeah,” she says, speaking from her home in upstate New York. “I mean, that was a completely racist act.”

In 2022, Self unveiled Seated at Coal Drops Yard in King’s Cross, London. Like Lady in Blue, it was a vast, brightly painted bronze depiction of a black woman, this time seated demurely on a chair. After being shown at Coal Drops Yard without incident, it was moved to the De La Warr Pavilion in Bexhill-on-Sea, where the reception wasn’t quite as warm. “Within the first week,” says Self, “it was spraypainted white, but only on the skin of the sculpture.” As vandalism goes, it doesn’t get much more pointed, or racist. “The first feeling I had was just pain that my sculpture had been harmed. That someone had enacted violence on an object I had imbued with love and affection.”

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© Photograph: Christian DeFonte/The Guardian

© Photograph: Christian DeFonte/The Guardian

© Photograph: Christian DeFonte/The Guardian

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Messina mystery: theft of Renaissance art from Sicilian museum leaves investigators baffled

How did thieves pull off robbery of Antonello da Messina’s 15th-century masterpiece – and why did they leave part of it behind?

At about 8.47pm on the evening of 15 August, while tens of thousands of worshippers filled the streets of central Messina for a religious festival, at least two men cut through the fencing surrounding the regional museum, located a few miles to the north on the outskirts of the Sicilian harbour city.

Capitalising on the fact that the streets around the museum were unusually quiet, the men forced open a side door with a crowbar, gaining direct access to a display case containing the five surviving panels of the Renaissance master Antonello da Messina’s polyptych Polittico di San Gregorio, his most important work, and a small double-sided painting. Undisturbed, they removed the works from the building and fled.

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© Photograph: Museo Regionale Accascina Messina/Reuters

© Photograph: Museo Regionale Accascina Messina/Reuters

© Photograph: Museo Regionale Accascina Messina/Reuters

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Big things and pink poodles: Frida Las Vegas’s tour of Australian kitsch – in pictures

Stavroula Adameitis, AKA Frida Las Vegas, is an Adelaide-based artist and designer known for her camp, pop art aesthetic. A typical work might feature palm trees, poodles, Greek pillars or bin chickens (Australian white ibises), sometimes all at once. Does it veer into kitsch? ‘I hope so,’ she says. ‘Nostalgia, colour and fun can be very energising, and the feeling we get from these objects in popular culture binds us together.’

The term kitsch comes from the German verkitschen, meaning ‘to cheapen’. In the 19th century it was deployed by elites to look down on the supposedly trashy vulgarity of art for the masses. ‘The idea still carries negative connotations,’ says Adameitis. In her new book, she invites us to stop sneering and start relishing Australia’s unparalleled genius for kitsch: ‘Good kitsch laughs with you not at you. It brings people along for the ride.’

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© Photograph: Eamon Donnelly

© Photograph: Eamon Donnelly

© Photograph: Eamon Donnelly

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‘The angle of the dog, the hat and the tattoo on her foot all come together’: Trace Meek’s best phone picture

A family day in a Florida back yard was the setting for a summertime memory it would be impossible to recreate

Trace Meek is abundantly proud of his Florida back yard. For the last 10 years, he and his wife, Lauren, have worked diligently on it. “It’s our happy place,” he says. “We live in Belleair Bluffs, and I’ve watched my son and daughter grow up playing in the dirt under our giant oak trees, swinging on the tree swing, riding their bikes and scooters on the circular path, and swimming in our pool. It’s big, with a really deep end and three water fountains that shoot over the top. We like to have a last jump into the pool before bed and, best of all, there are no iPads or TVs.”

The family had friends visiting for 4 July celebrations when Meek took this photo on his phone. There were six adults, six children and two dogs present. Harvey, a braque français, is pictured here on Lauren’s lap.

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© Photograph: Trace Meek

© Photograph: Trace Meek

© Photograph: Trace Meek

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The week around the world in 20 pictures

The Nepal-Tibet flood disaster, Russian strikes in Kyiv, Israeli settlers in the West Bank and tributes to Dolly Parton – the past seven days as captured by the world’s leading photojournalists

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© Photograph: Navesh Chitrakar/Reuters

© Photograph: Navesh Chitrakar/Reuters

© Photograph: Navesh Chitrakar/Reuters

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The Guardian view on the loan of the Bayeux tapestry: a manifestation of soft power | Editorial

The British Museum’s landmark cultural exchange is a symbol of post-Brexit rapprochement between Britain and France

Harold Rex interfectus est”: King Harold is killed. As every British schoolchild knows, the Bayeux tapestry depicts a turning point in the history of these islands: defeat at the Battle of Hastings in 1066, which would lead to the ascent of William the Conqueror to the English throne. Its return to the UK for the first time in nearly 1,000 years is being hailed as a hugely historic moment in its own right. The loan of the tapestry (technically an embroidery of wool on linen) to the British Museum in exchange for UK treasures from Sutton Hoo is the ultimate manifestation of soft power – a 70-metre symbol of post-Brexit Anglo-French rapprochement in comic-strip form.

Ticket sales for the exhibition, which opens on 10 September, were the biggest in a single day in the museum’s history, with online queues of 80,000. Radio 4 is devoting a day of special broadcasts to mark the arrival of the tapestry, including a new drama with verse from the poet laureate Simon Armitage. The museum’s videos explaining this tale of ambition, friendship, betrayal and revenge are fittingly narrated by Traitors presenter Claudia Winkleman. Norman-mania is here.

Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.

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© Photograph: Ardee Napolitano/Reuters

© Photograph: Ardee Napolitano/Reuters

© Photograph: Ardee Napolitano/Reuters

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Egyptian queen’s 673-diamond necklace stolen in Vienna smash-and-grab raid

Police hunt two suspects after historic 200-carat piece is snatched from Austrian museum during opening hours

Austrian police are hunting two men alleged to have stolen a 200-carat platinum necklace encrusted with 673 diamonds that was on loan to a museum in Vienna and once belonged to Egyptian royalty.

Authorities in the capital released pictures of the suspects captured by security cameras during the heist at the Museum of Applied Arts (MAK), amid a rash of spectacular smash-and-grab thefts from European cultural institutions.

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© Photograph: Stéphane de Sakutin/AFP/Getty Images

© Photograph: Stéphane de Sakutin/AFP/Getty Images

© Photograph: Stéphane de Sakutin/AFP/Getty Images

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Egyptian queen’s 673-diamond necklace stolen in Vienna smash-and-grab raid

Police hunt two suspects after historic 200-carat piece is snatched from Austrian museum during opening hours

Austrian police are hunting two men alleged to have stolen a 200-carat platinum necklace encrusted with 673 diamonds that was on loan to a museum in Vienna and once belonged to Egyptian royalty.

Authorities in the capital released pictures of the suspects captured by security cameras during the heist at the Museum of Applied Arts (MAK), amid a rash of spectacular smash-and-grab thefts from European cultural institutions.

Continue reading...

© Photograph: Stéphane de Sakutin/AFP/Getty Images

© Photograph: Stéphane de Sakutin/AFP/Getty Images

© Photograph: Stéphane de Sakutin/AFP/Getty Images

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Дизайн за 5 минут. Дайджест августа 2026

Привет, Хабр!

На связи Андрей, продуктовый дизайнер Garage Eight.

В августе было много обновлений: у Instagram обновился логотип, у Uber — система иконок, Figma осваивала скиллы и ластик, а бренды выкатывали свежие айдентики и спецпроекты. Остальные находки месяца — ниже.

1. Новый логотип Instagram

2. Система иконок Uber

3. Айдентика Берлинского музея

4. Skills внутри Figma

5. Фигластик

6. Ребрендинг и новая упаковка для Индилайта

7. Cifrovoy rubel

8. Big Walk

9. ЦвеТ-очки

10. Mac Mini + Mac Studio Update

Погнали!
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Как я написал простой HTML-сайт, который избавляет от ручного поиска и конвертации бренд-иконок

Каждый раз, когда верстаешь новый проект, лендинг или дэшборд, Дизайнер просит поставить на плашки ссылки со свежими логотипами сервисов, соцсетей или технологического стека. Начинается отдельная каста разработки и дизайна: найди официальный брендбук, вытащи оттуда SVG (Не факт что он там будет) или иди на сторонние агрегаторы, где половина файлов кривые, а скачивание запрятано за скрытой рекламой "Скачать Яндекс". Когда мне это полностью надоело я создал свой сервис - ГдеИконка (GdeIkonka)

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