Microsoft says it's testing a fix for the widespread Outlook issues that have led to email delays and failures.

Discussing people’s bodies can be fraught. We asked eating disorder experts how to do so – or not – responsibly

In the age of Ozempic and people being open about plastic surgery, discussion about people’s bodies is rife. At the same time, nobody seems quite sure how to talk about them, as shown by recent coverage of celebrities like Ariana Grande.

It is a fraught topic. We asked eating disorder experts for guidelines to follow when talking about other people’s bodies, and how to do so without doing harm.

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© Illustration: LUVLIMAGE/Getty Images

© Illustration: LUVLIMAGE/Getty Images

© Illustration: LUVLIMAGE/Getty Images

The performances often gave me goose bumps, but I also got to observe the highs and lows of audience behaviour

• Read more in this series here

I was 24, had just moved into a share house I couldn’t afford, and my job as a nanny was proving less than ideal. I’d graduated from my music degree a few years prior and was floating along, feeling a little lost.

A friend had told me to apply to become a front-of-house staff member at Australia’s busiest performing arts centre, Arts Centre Melbourne. It was a rare opportunity, as people rarely quit. To be surrounded by art again sounded like a dream.

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© Composite: Getty Images / Lauren David

© Composite: Getty Images / Lauren David

© Composite: Getty Images / Lauren David

Clacton, funding, internal divisions – party prepares for annual conference next week after a season of missteps

Senior Reform UK figures like to boast that the summer time – and parliament’s longest recess – is when the party makes hay.

Supposedly, it is when Nigel Farage and co can muscle in on the news cycle with provocative statements and new policies, painting “establishment” opponents as workshy layabouts.

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© Photograph: Henry Nicholls/AFP/Getty Images

© Photograph: Henry Nicholls/AFP/Getty Images

© Photograph: Henry Nicholls/AFP/Getty Images

Clacton, funding, internal divisions – party prepares for annual conference next week after a season of missteps

Senior Reform UK figures like to boast that the summer time – and parliament’s longest recess – is when the party makes hay.

Supposedly, it is when Nigel Farage and co can muscle in on the news cycle with provocative statements and new policies, painting “establishment” opponents as workshy layabouts.

Continue reading...

© Photograph: Henry Nicholls/AFP/Getty Images

© Photograph: Henry Nicholls/AFP/Getty Images

© Photograph: Henry Nicholls/AFP/Getty Images

Like any life, mine has had its pain, yet from the outset it seems to have been graced by unbelievable people and events. An anthology of miracles.

© Ruo-Jia Liang for The New York Times

Assembly George Square studios, Edinburgh
Writer and actor Alaa Shehada turns a simple bus trip from the West Bank into a vivid tale of bureaucracy, humiliation and resistance

It is the simplicity of the task that gives this story heft. Recalling his formative years in the West Bank, actor and writer Alaa Shehada is asked by his mother to go on a bus journey that would take a couple of hours in any other part of the world.

His mission is to deliver a plastic jerry can filled with the family’s home-pressed olive oil to his aunt in Jordan. His obstacle is the 180m crossing point known variously as the Dignity Bridge, the Allenby Bridge and the King Hussein Bridge, depending on your political standpoint.

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© Photograph: PR

© Photograph: PR

© Photograph: PR

A masterclass led by the actor helped set Raymond on a new path. Now the head of a theatre company, he has coaxed his friend back to the stage for a show to encourage young people to fall in love with performing

Darren Raymond doesn’t remember having any significant interest in acting when he was growing up. And when he met Mark Rylance for the first time, on Christmas Eve 2004, he had never heard of the multi-award winning actor. These days, things are very different: Raymond is the artistic director of Intermission Youth, the London-based arts charity and theatre, and is directing his friend Rylance in the lead role of Tartuffe (Remixed), Raymond’s adaptation of the Molière play, which opens at London’s Marylebone theatre this week.

It’s fair to say neither could have anticipated they’d still be in touch this long after their initial meeting. “Unlikely companions” is a tired cliche by this point, but that doesn’t make it any less true to say that on the surface, the two had very little in common. Raymond was a young twentysomething raised on an inner-city housing estate and serving a prison sentence at HMP Brixton. Meanwhile Rylance was twice his age, a successful professional actor, and artistic director of Shakespeare’s Globe. Nevertheless that meeting, at a Shakespeare workshop in the prison, turned into a professional connection, which soon evolved into a solid friendship.

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© Photograph: Seamus Ryan

© Photograph: Seamus Ryan

© Photograph: Seamus Ryan

Reform UK denies donor and crypto-billionaire’s global interests in arms and military could present a conflict of interest over its defence spending policy

As he struggles with questions about the millions he has received from the billionaire Christopher Harborne, Nigel Farage has made no secret of his enthusiastic support for the industry that made part of his benefactor’s fortune – cryptocurrency. The Reform UK leader even urged the governor of the Bank of England to drop a crypto policy that may be costly for Harborne.

But another element of Harborne’s business interests could prove still more consequential if it shapes Farage’s positions. There appears to be no precedent for a major UK donor who is so entwined with the military.

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© Composite: Guardian Design/Shutterstock/ South Korean Defence Ministry/AFP/Getty Images/LNP

© Composite: Guardian Design/Shutterstock/ South Korean Defence Ministry/AFP/Getty Images/LNP

© Composite: Guardian Design/Shutterstock/ South Korean Defence Ministry/AFP/Getty Images/LNP

Studio theatre, Edinburgh
Groupwork’s physical theatre show captures the real story of a midwest mystic from the 50s and the followers she drew, in all their eerie ordinariness

In the early 1950s in the American midwest, a woman known by the alias of Marian Keech awoke in the night with the urge to write. But the words that came out weren’t her own: it was the voice of her late father, she was sure. Other voices from the beyond began to use Marian as a conduit, ultimately Jesus Christ himself, which is how Keech came to be at the centre of a doomsday cult of seemingly ordinary citizens convinced the world was about to end, but that they would be rescued by aliens from the planet Clarion.

It is such a good story, one that was captured in a landmark social psychology study at the time as well as the book When Prophecy Fails, that you could argue Scottish theatre company Groupwork don’t have a lot to do. But their treatment of the tale is deceptively simple in a very well-crafted show that does no more and no less than it needs to.

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© Photograph: Tommy Ga-Ken Wan

© Photograph: Tommy Ga-Ken Wan

© Photograph: Tommy Ga-Ken Wan

Tories accuse Reform of ‘peddling conspiracy theories’ as row erupts in wake of Conservative leader’s trip to Rome

Nigel Farage and Kemi Badenoch have spent years trading barbs and fighting for the rightwing vote. But now the party leaders find themselves in a much more bizarre struggle – for the affections of the rightwing Italian prime minister, Giorgia Meloni.

The row began on Monday when the Times published an article claiming that during a meeting in Rome, Meloni had advised the Conservative leader against doing a deal with Farage to unite the right. After complaints from Reform – and, reportedly, Meloni’s team – the article was amended to remove that claim.

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© Photograph: Christine Quarmyne/CCHQ

© Photograph: Christine Quarmyne/CCHQ

© Photograph: Christine Quarmyne/CCHQ

Tories accuse Reform of ‘peddling conspiracy theories’ as row erupts in wake of Conservative leader’s trip to Rome

Nigel Farage and Kemi Badenoch have spent years trading barbs and fighting for the rightwing vote. But now the party leaders find themselves in a much more bizarre struggle – for the affections of the rightwing Italian prime minister, Giorgia Meloni.

The row began on Monday when the Times published an article claiming that during a meeting in Rome, Meloni had advised the Conservative leader against doing a deal with Farage to unite the right. After complaints from Reform – and, reportedly, Meloni’s team – the article was amended to remove that claim.

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© Photograph: Christine Quarmyne/CCHQ

© Photograph: Christine Quarmyne/CCHQ

© Photograph: Christine Quarmyne/CCHQ

Я наткнулся на историю Old Baby Vintage и сначала подумал, что это очередной кейс про маленький бизнес, который не пережил публичный скандал. Но чем больше я смотрел на ситуацию, тем сильнее становилось ощущение, что владельцы упустили гораздо более интересную возможность.

Да, они могли просто не вести себя так, как повели. Могли вовремя извиниться, признать ошибку, нормально поговорить с сотрудницей и сохранить лицо. Могли даже спасти сам бизнес.

Но был и третий вариант: превратить собственную ошибку в PR-машину.

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Nominated in three previous years, the rambunctious standup – one half of The Delightful Sausage – wins the prize for his show Rewilding while Marty Gleeson is named best newcomer

The annual Edinburgh comedy award has been won by the standup Chris Cantrill, two years after his comedy partner Amy Gledhill – in the raucous northern double act The Delightful Sausage – won the same prize.

Cantrill, 42 and from Bradford, received the so-called “Oscar of live comedy” for a show, Rewilding, about his new life in rural Northumberland, where an act of vandalism shocks the local community – and a spoof whodunnit ensues. It builds on the foundations laid in 2024 by Easily Swayed, which documented his move to the countryside and secured what was then Cantrill’s third nomination (but first as a solo act) for the award.

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© Photograph: Jack Kirby

© Photograph: Jack Kirby

© Photograph: Jack Kirby

Есть готовый сайт, написанный на Laravel + Vue. Руководство попросило сделать его мультиязычным. Зная, что для Laravel “есть все”, я сходу без чтения документации назвал кратчайший срок. Но когда зашел на страничку Vue I18n то понял, что ошибся. Мультиязычность Vue происходит на клиенте, файлы переводов по формату отличаются от файлов Blade. Другими словами, если брать все «из коробки», то переводы придется дублировать и держать в разных местах, js приложение раздуется от подключения плагина I18n и к тому же на клиента придется загружать словари переводов... очевидно же, что надо делать переводы на сервере, то есть все хорошо, но без Vue I18n.

ТЗ формулировалось так:

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‘At a time when Russia is trying to spread gloom and darkness … it is important to create something beautiful,’ says combat medic Tetiana as she weds army captain Oleksandr

In the bright early afternoon sun of Kramatorsk’s central and now ironically named Peace Square, Tetiana, in her bridal dress, and Oleksandr, in his military uniform, are holding up their phones at the ready. It is a public holiday, 35 years since Ukraine’s declaration of independence, and a popular day for a wedding, though the open-air location is not obviously ideal.

Three days earlier, Kramatorsk, perhaps Vladimir Putin’s principal target, was formally designated part of the combat zone, the front inching towards the city as Russia closes in on the parts of the Donetsk region it does not control. It is quiet at 2pm though; the ceremony brief. There are no guests other than the Guardian team.

Tetiana and Oleksandr pose for a wedding photo on Mount Karachun, near Sloviansk, the scene of fierce fighting in 2014.

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© Photograph: Julia Kochetova/The Guardian

© Photograph: Julia Kochetova/The Guardian

© Photograph: Julia Kochetova/The Guardian

Monkey Barrel Comedy, Edinburgh
Cantrill shares his struggles descending into middle age and his awkward interactions with fellow villagers in a fun show

Now a four-time nominee for the Edinburgh comedy award, Chris Cantrill is bearing down on James Acaster’s always-the-bridesmaid record – unless 2026 proves to be his year. Would it be merited? Well, there are few comedians in whose company it is more reliably fun to spend time. And that’s resoundingly the case with Rewilding, the follow-up to 2024’s Easily Swayed, in which Cantrill gave an uproarious account of turning 40, moving to the countryside and having (the male, northern, emotionally stunted equivalent of) a breakdown.

The sequel is scarcely less entertaining, but it’s not as well constructed, and its story is less resonant. It begins with this ebullient Bradford native explaining how bad he is at introducing himself, with reference to “drinks and nibs” his wife has coerced him to attend in their Northumbrian village. Cantrill is chronic at small talk, he tells us, yet adept at code-switching – as demonstrated in the company of the “gen Z girls and gays” who love him, rural workers whose opinions he meekly opposes in the pub, and the private-school boys who (as per one gloriously indiscreet section) call the shots where Cantrill works, on Saturday Night Live UK.

At Monkey Barrel Comedy, Edinburgh, until 30 August

All our Edinburgh festival reviews

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© Photograph: Jack Kirby

© Photograph: Jack Kirby

© Photograph: Jack Kirby

At the newly reopened King’s theatre in Edinburgh, as part of the international festival, Geoff Sobelle’s Clown Show is a dizzying whirl through US history

• Clown Show review – the American dream explodes over one anarchic night

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© Photograph: Murdo MacLeod/The Guardian

© Photograph: Murdo MacLeod/The Guardian

© Photograph: Murdo MacLeod/The Guardian

Police hunt two suspects after historic 200-carat piece is snatched from Austrian museum during opening hours

Austrian police are hunting two men alleged to have stolen a 200-carat platinum necklace encrusted with 673 diamonds that was on loan to a museum in Vienna and once belonged to Egyptian royalty.

Authorities in the capital released pictures of the suspects captured by security cameras during the heist at the Museum of Applied Arts (MAK), amid a rash of spectacular smash-and-grab thefts from European cultural institutions.

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© Photograph: Stéphane de Sakutin/AFP/Getty Images

© Photograph: Stéphane de Sakutin/AFP/Getty Images

© Photograph: Stéphane de Sakutin/AFP/Getty Images

Police hunt two suspects after historic 200-carat piece is snatched from Austrian museum during opening hours

Austrian police are hunting two men alleged to have stolen a 200-carat platinum necklace encrusted with 673 diamonds that was on loan to a museum in Vienna and once belonged to Egyptian royalty.

Authorities in the capital released pictures of the suspects captured by security cameras during the heist at the Museum of Applied Arts (MAK), amid a rash of spectacular smash-and-grab thefts from European cultural institutions.

Continue reading...

© Photograph: Stéphane de Sakutin/AFP/Getty Images

© Photograph: Stéphane de Sakutin/AFP/Getty Images

© Photograph: Stéphane de Sakutin/AFP/Getty Images