As The Story – inspired by a scandal that ended a young Black reporter’s career – makes its London debut, its author explains why, two decades on, it’s more relevant than ever

If our ability to discern fake news from fact is a hot topic today, Tracey Scott Wilson was on to it more than two decades ago. As a child, the playwright’s father trained her to watch the news every night and discuss it with her three siblings. It meant that she was well placed in the early 00s to spot how stations such as Fox News were veering away from objective reporting to become angled towards a given agenda.

By this point a real-life story had been percolating in Wilson’s mind for more than two decades: in 1981, Janet Cooke, a young, ambitious Black American reporter at The Washington Post, had been exposed as a liar. Cooke had just won the Pulitzer prize for her news story about an eight-year-old drug addict, which turned out to be invented. Cooke was discredited, both for her reporting and for embellishing her CV, and was forced to hand back her prize two days after receiving it.

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© Photograph: Antonio Olmos/The Guardian

© Photograph: Antonio Olmos/The Guardian

© Photograph: Antonio Olmos/The Guardian

Former PM announces he will no longer represent Holborn and St Pancras on the day his successor, Andy Burnham, is to give first Commons address as prime minister

My colleague Richard Partington, the Guardian’s senior economics correspondent, grew up, like Andy Burnham, in the Warrington suburb of Culcheth. He has been home to find out what people there are saying about the new PM.

Yesterday, Kemi Badenoch announced a reshuffle, replacing Mel Stride with Andrew Griffith as shadow chancellor and Priti Patel with Tom Tugendhat as shadow foreign secretary.

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© Photograph: Getty Images

© Photograph: Getty Images

© Photograph: Getty Images

Beckett’s masterpiece is given a postmodern cinema slant, with characters in different locations, music and humour in a free and fanciful interpretation

Remember remixes? Where you take a song and swap out parts of it with new or pre-existing material, changing it just enough to be still recognisable? Argentinean director Alejo Moguillansky applies this quintessentially postmodern aesthetic to film with a funky cinematic remix, or even series of remixes, of Samuel Beckett’s one-act play Fin de Partie, AKA Endgame. The result feels a little retro and possibly a bit too pleased with its own cleverness, and the spoonerist title is juvenile. But in the end this really achieves something with both the source material and the remix that’s fresh, pleasingly provocative, and at times moving.

Beckett’s 1957 absurdist masterwork has just four characters on stage throughout, two of whom do most of the talking: cantankerous blind, disabled Hamm banters with his servant/slave Clov, while Hamm’s parents, Nagg and Nell, live in dustbins upstage and talk rather less. There’s an air of apocalyptic doom, much talk of drugs, food and, above all, time running out.

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© Photograph: Publicity image

© Photograph: Publicity image

© Photograph: Publicity image

В комментариях к прошлой статье сформулировали правило, под которым я подписываюсь обеими руками: “платить” за внепроцессный вызов имеет смысл тогда, когда сама работа дороже транспорта. clean_amount из квикстарта — десять строк, ноль зависимостей, микросекунды работы — этот порог не проходит. Свою задачу тот пример выполнил: показал механику publish/call в шесть строк. Но ноды существуют не для него: 2 + 2 через демон не нужно никому, и splime строился не для этого.

Возьмём случай, где оверхед оправдан, залезем под капот и посмотрим, что происходит между publish и call: где физически живёт нода, как Python-функция превращается в переносимый объект и как две ноды передают друг другу данные, которым не место в JSON.

Напомню контекст из прошлой статьи. splime упаковывает Python-функции в переносимые вычислительные элементы — ноды, узлы вычислительного графа, — связывает их в пайплайны и исполняет там, где вы скажете: в текущем процессе, через локальный демон или на другой машине.

Всё, что ниже, проверено на актуальной splime 0.4.9.

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A yes to membership would have given Brussels a boost but Icelanders have not voted to isolate themselves

Iceland’s 52.8% to 47.2% vote against reopening EU accession talks is, undeniably, a blow for Brussels. But claiming it as a Brexit-style victory for “national sovereignty” or evidence of broad rejection of the EU misrepresents the reality of the island’s relationship with the bloc.

For the EU, Iceland was a dream candidate: small, stable, prosperous and strategically located in an increasingly contested Arctic. Eager as it is to wield more geopolitical clout and revive flagging momentum around enlargement, a vote in favour would have given Brussels a very welcome boost.

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© Photograph: Marco Di Marco/AP

© Photograph: Marco Di Marco/AP

© Photograph: Marco Di Marco/AP

A yes to membership would have given Brussels a boost but Icelanders have not voted to isolate themselves

Iceland’s 52.8% to 47.2% vote against reopening EU accession talks is, undeniably, a blow for Brussels. But claiming it as a Brexit-style victory for “national sovereignty” or evidence of broad rejection of the EU misrepresents the reality of the island’s relationship with the bloc.

For the EU, Iceland was a dream candidate: small, stable, prosperous and strategically located in an increasingly contested Arctic. Eager as it is to wield more geopolitical clout and revive flagging momentum around enlargement, a vote in favour would have given Brussels a very welcome boost.

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© Photograph: Marco Di Marco/AP

© Photograph: Marco Di Marco/AP

© Photograph: Marco Di Marco/AP

Microsoft says it's testing a fix for the widespread Outlook issues that have led to email delays and failures.

Discussing people’s bodies can be fraught. We asked eating disorder experts how to do so – or not – responsibly

In the age of Ozempic and people being open about plastic surgery, discussion about people’s bodies is rife. At the same time, nobody seems quite sure how to talk about them, as shown by recent coverage of celebrities like Ariana Grande.

It is a fraught topic. We asked eating disorder experts for guidelines to follow when talking about other people’s bodies, and how to do so without doing harm.

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© Illustration: LUVLIMAGE/Getty Images

© Illustration: LUVLIMAGE/Getty Images

© Illustration: LUVLIMAGE/Getty Images

The performances often gave me goose bumps, but I also got to observe the highs and lows of audience behaviour

• Read more in this series here

I was 24, had just moved into a share house I couldn’t afford, and my job as a nanny was proving less than ideal. I’d graduated from my music degree a few years prior and was floating along, feeling a little lost.

A friend had told me to apply to become a front-of-house staff member at Australia’s busiest performing arts centre, Arts Centre Melbourne. It was a rare opportunity, as people rarely quit. To be surrounded by art again sounded like a dream.

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© Composite: Getty Images / Lauren David

© Composite: Getty Images / Lauren David

© Composite: Getty Images / Lauren David

Clacton, funding, internal divisions – party prepares for annual conference next week after a season of missteps

Senior Reform UK figures like to boast that the summer time – and parliament’s longest recess – is when the party makes hay.

Supposedly, it is when Nigel Farage and co can muscle in on the news cycle with provocative statements and new policies, painting “establishment” opponents as workshy layabouts.

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© Photograph: Henry Nicholls/AFP/Getty Images

© Photograph: Henry Nicholls/AFP/Getty Images

© Photograph: Henry Nicholls/AFP/Getty Images

Clacton, funding, internal divisions – party prepares for annual conference next week after a season of missteps

Senior Reform UK figures like to boast that the summer time – and parliament’s longest recess – is when the party makes hay.

Supposedly, it is when Nigel Farage and co can muscle in on the news cycle with provocative statements and new policies, painting “establishment” opponents as workshy layabouts.

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© Photograph: Henry Nicholls/AFP/Getty Images

© Photograph: Henry Nicholls/AFP/Getty Images

© Photograph: Henry Nicholls/AFP/Getty Images

Like any life, mine has had its pain, yet from the outset it seems to have been graced by unbelievable people and events. An anthology of miracles.

© Ruo-Jia Liang for The New York Times

Assembly George Square studios, Edinburgh
Writer and actor Alaa Shehada turns a simple bus trip from the West Bank into a vivid tale of bureaucracy, humiliation and resistance

It is the simplicity of the task that gives this story heft. Recalling his formative years in the West Bank, actor and writer Alaa Shehada is asked by his mother to go on a bus journey that would take a couple of hours in any other part of the world.

His mission is to deliver a plastic jerry can filled with the family’s home-pressed olive oil to his aunt in Jordan. His obstacle is the 180m crossing point known variously as the Dignity Bridge, the Allenby Bridge and the King Hussein Bridge, depending on your political standpoint.

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© Photograph: PR

© Photograph: PR

© Photograph: PR

A masterclass led by the actor helped set Raymond on a new path. Now the head of a theatre company, he has coaxed his friend back to the stage for a show to encourage young people to fall in love with performing

Darren Raymond doesn’t remember having any significant interest in acting when he was growing up. And when he met Mark Rylance for the first time, on Christmas Eve 2004, he had never heard of the multi-award winning actor. These days, things are very different: Raymond is the artistic director of Intermission Youth, the London-based arts charity and theatre, and is directing his friend Rylance in the lead role of Tartuffe (Remixed), Raymond’s adaptation of the Molière play, which opens at London’s Marylebone theatre this week.

It’s fair to say neither could have anticipated they’d still be in touch this long after their initial meeting. “Unlikely companions” is a tired cliche by this point, but that doesn’t make it any less true to say that on the surface, the two had very little in common. Raymond was a young twentysomething raised on an inner-city housing estate and serving a prison sentence at HMP Brixton. Meanwhile Rylance was twice his age, a successful professional actor, and artistic director of Shakespeare’s Globe. Nevertheless that meeting, at a Shakespeare workshop in the prison, turned into a professional connection, which soon evolved into a solid friendship.

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© Photograph: Seamus Ryan

© Photograph: Seamus Ryan

© Photograph: Seamus Ryan

Reform UK denies donor and crypto-billionaire’s global interests in arms and military could present a conflict of interest over its defence spending policy

As he struggles with questions about the millions he has received from the billionaire Christopher Harborne, Nigel Farage has made no secret of his enthusiastic support for the industry that made part of his benefactor’s fortune – cryptocurrency. The Reform UK leader even urged the governor of the Bank of England to drop a crypto policy that may be costly for Harborne.

But another element of Harborne’s business interests could prove still more consequential if it shapes Farage’s positions. There appears to be no precedent for a major UK donor who is so entwined with the military.

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© Composite: Guardian Design/Shutterstock/ South Korean Defence Ministry/AFP/Getty Images/LNP

© Composite: Guardian Design/Shutterstock/ South Korean Defence Ministry/AFP/Getty Images/LNP

© Composite: Guardian Design/Shutterstock/ South Korean Defence Ministry/AFP/Getty Images/LNP

Studio theatre, Edinburgh
Groupwork’s physical theatre show captures the real story of a midwest mystic from the 50s and the followers she drew, in all their eerie ordinariness

In the early 1950s in the American midwest, a woman known by the alias of Marian Keech awoke in the night with the urge to write. But the words that came out weren’t her own: it was the voice of her late father, she was sure. Other voices from the beyond began to use Marian as a conduit, ultimately Jesus Christ himself, which is how Keech came to be at the centre of a doomsday cult of seemingly ordinary citizens convinced the world was about to end, but that they would be rescued by aliens from the planet Clarion.

It is such a good story, one that was captured in a landmark social psychology study at the time as well as the book When Prophecy Fails, that you could argue Scottish theatre company Groupwork don’t have a lot to do. But their treatment of the tale is deceptively simple in a very well-crafted show that does no more and no less than it needs to.

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© Photograph: Tommy Ga-Ken Wan

© Photograph: Tommy Ga-Ken Wan

© Photograph: Tommy Ga-Ken Wan

Tories accuse Reform of ‘peddling conspiracy theories’ as row erupts in wake of Conservative leader’s trip to Rome

Nigel Farage and Kemi Badenoch have spent years trading barbs and fighting for the rightwing vote. But now the party leaders find themselves in a much more bizarre struggle – for the affections of the rightwing Italian prime minister, Giorgia Meloni.

The row began on Monday when the Times published an article claiming that during a meeting in Rome, Meloni had advised the Conservative leader against doing a deal with Farage to unite the right. After complaints from Reform – and, reportedly, Meloni’s team – the article was amended to remove that claim.

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© Photograph: Christine Quarmyne/CCHQ

© Photograph: Christine Quarmyne/CCHQ

© Photograph: Christine Quarmyne/CCHQ

Tories accuse Reform of ‘peddling conspiracy theories’ as row erupts in wake of Conservative leader’s trip to Rome

Nigel Farage and Kemi Badenoch have spent years trading barbs and fighting for the rightwing vote. But now the party leaders find themselves in a much more bizarre struggle – for the affections of the rightwing Italian prime minister, Giorgia Meloni.

The row began on Monday when the Times published an article claiming that during a meeting in Rome, Meloni had advised the Conservative leader against doing a deal with Farage to unite the right. After complaints from Reform – and, reportedly, Meloni’s team – the article was amended to remove that claim.

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© Photograph: Christine Quarmyne/CCHQ

© Photograph: Christine Quarmyne/CCHQ

© Photograph: Christine Quarmyne/CCHQ

Я наткнулся на историю Old Baby Vintage и сначала подумал, что это очередной кейс про маленький бизнес, который не пережил публичный скандал. Но чем больше я смотрел на ситуацию, тем сильнее становилось ощущение, что владельцы упустили гораздо более интересную возможность.

Да, они могли просто не вести себя так, как повели. Могли вовремя извиниться, признать ошибку, нормально поговорить с сотрудницей и сохранить лицо. Могли даже спасти сам бизнес.

Но был и третий вариант: превратить собственную ошибку в PR-машину.

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Nominated in three previous years, the rambunctious standup – one half of The Delightful Sausage – wins the prize for his show Rewilding while Marty Gleeson is named best newcomer

The annual Edinburgh comedy award has been won by the standup Chris Cantrill, two years after his comedy partner Amy Gledhill – in the raucous northern double act The Delightful Sausage – won the same prize.

Cantrill, 42 and from Bradford, received the so-called “Oscar of live comedy” for a show, Rewilding, about his new life in rural Northumberland, where an act of vandalism shocks the local community – and a spoof whodunnit ensues. It builds on the foundations laid in 2024 by Easily Swayed, which documented his move to the countryside and secured what was then Cantrill’s third nomination (but first as a solo act) for the award.

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© Photograph: Jack Kirby

© Photograph: Jack Kirby

© Photograph: Jack Kirby