Girls Gone Bible is on tour in the US, touting a regressive ideal of femininity through discussions of abstinence and mental health struggles

At first glance, the crowd gathering outside a music venue in Red Bank, New Jersey, could have passed for a group of sorority rush hopefuls – or Ella Langley fans on their way to the country star’s show. Most of them were under the age of 30. They wore cowboy boots, maxi sundresses and soft, bouncy blowouts, scrolling on their phones outside the doors as they waited for friends to arrive.

But one accessory gave them away: the Bibles they toted. These women were there to pray.

New child safety measures are welcome, but the wider risks posed by these platforms remain unaddressed

“Hook, hold, harvest and hide” was how Megan O’Neill, a lawyer for the US state of California, characterised Meta’s business model in the trial that ended last week with an $18bn settlement, to be shared between the states and territories that brought the case. It was a clever way to describe the company’s approach to users’ attention and data. But the sharpness of her words was not matched by the deal. While the strengthening of child safety features is welcome, the tech giant once again batted off efforts to alter its products.

Meta’s decision to settle enabled it to avoid any admission of liability. It put a stop to the awkward questions being asked of witnesses including Adam Mosseri, Instagram’s CEO, and the damaging claims made by whistleblowers such as Arturo Béjar. This former Meta safety engineer told the court that his own daughter had been sent unsolicited photos of male genitals on Instagram.

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As families await news after the catastrophe, community members appeal for compassion in the face of hateful rhetoric

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A slew of racist social media comments have been made towards Australians missing in the catastrophic Nepal-Tibet floods, prompting calls for greater accountability of major platforms to remove hateful rhetoric.

On Monday, the total number of Australians missing after flash floods triggered by a massive glacier collapse in the Himalayas rose to 43, and the overall death toll was at least 810 people.

From cover design to shelf placement and influencer partnerships … how publishers will persuade you to buy their books this autumn

Think about the last book you bought. How did you choose it? Was it from a recommendation, a review, a TikTok video? Did the cover grab you, were you swayed by the quotes on the front, or did you just happen to spot it on an appealing table as you walked into the shop? Did you think about all the nudges that led you to that decision – by the publisher, the bookseller or that person you follow on Insta?

The reality is that our reading choices are directed and massaged at every turn. “It’s all about the art of persuasion,” says Philip Gwyn Jones, who was a publisher for more than 30 years and is now a literary agent. And who are the persuaders? They’re the booksellers, the supermarket stock buyers, the publishing houses and their ranks of marketers and publicists. And, more recently, persuasion often comes from BookTokers and online influencers, social media videos, podcasts and Instagram posts. How is all this changing publishing?

As a war correspondent, I worked with photographers who said the camera was a buffer between them and reality. It is much the same now as we snap and scroll

I was sitting on a rooftop in Athens at sunset looking up at Filopappou hill. Athens in August is burning hot. Not so much hotter than London or Paris any more, but the sort of hot that makes it foolish to step out into sunlight before 6pm. Emerging from the air conditioning at dusk, I saw a dense line of silhouettes on the ridge above me. Almost every one of these shadows had its arm raised, holding a cameraphone towards the sunset.

Of all the pretty hills in the Greek capital, Filopappou arguably has the best view. The Acropolis stands directly to its north. To its south, where I sat, the city sprawls out towards the sea and a dark horizon of islands – Aegina, Salamina, Agistri.

Those who said Meta harms children struck a blow, but the ability of big tech to gouge profits and cause harm is barely diminished. That’s the battle to come

Follow the money. If you want to know how the tech giant Meta really feels about the $18bn it agreed to fork out to end a landmark lawsuit against it – an outcome widely hailed as a victory for campaigners – just look at its share price. It didn’t go down when word came on Wednesday that Meta had settled with the 29 US states that had argued that the company’s Facebook and Instagram platforms harmed children. On the contrary, Meta stock went up, initially surging by 5%, before levelling out at a gain of just over 1.25%. There could be no clearer proof that the money men reckon Meta dodged a bullet.

To be sure, there was plenty to hearten those who have long believed that social media damages teenagers especially, whether by exposing them to content they shouldn’t see or by sapping their self-esteem, offering them filters that show how much prettier they would look if they had cosmetic surgery or giving them a metric of their popularity – and unpopularity – in the form of a running tally of “likes” and views.

Jonathan Freedland is a Guardian columnist

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