From ceramic goblin feet to furry disembodied legs, Korean-Chinese artist Woo Jin Joo is using London junk to inject the art world with a spirit of playfulness

Woo Jin Joo’s studio is full of magic. Ceramic green goblin feet line the windowsill, disembodied furry legs jut out of one white wall and, on the table behind where the Korean-Chinese artist sits drinking tea, a headless being dressed in a black coat squats, arms aloft in warning.

There are also neat racks of colourful thread next to a freehand embroidery machine, the source of this supernatural hoard. This is where Joo creates much of her art – surface embroideries and sculptural 3D creatures inspired by Korean myth, philosophy and the relationship between humans and the natural world.

From wedding ceremonies to sunsets with pumpkins, even in urinals, Kusama’s work brought joy, mischief and inspiration to so many

I have always loved Yayoi Kusama’s work, and when I visited an exhibition of hers on a gap year in Sydney I was spellbound by her infinity mirror rooms. I immediately thought, despite being single at the time, this is a fantastic space to propose in. Fast forward around eight years and I am on one knee holding a ring out to my partner inside an infinity mirror room in Helsinki, with excited and expectant Finns looking on. He said yes. At the wedding, the breakfast was held under polka dotted pink lanterns. Kusama was a fantastic artist, who also protested for my ability to marry – performing her own gay wedding ceremonies before it was legally recognised – and inspired key aspects of my wedding. Liam, 40, Surrey

Artist rose to prominence in 2018 by painting his eponymous tag in public spots across southern England

The street artist Helch, known for murals and tags across England, has died, his gallery has said.

He rose to prominence in 2018 by painting his eponymous tag in capital letters across a string of public spots in London as well as bridges on the M4, M1 and M25.

Artist rose to prominence in 2018 by painting his eponymous tag in public spots across southern England

The street artist Helch, known for murals and tags across England, has died, his gallery has said.

He rose to prominence in 2018 by painting his eponymous tag in capital letters across a string of public spots in London as well as bridges on the M4, M1 and M25.

John Fabiano has travelled the globe photographing dogs with jobs – from Italian truffle sniffers and Greenlandic sled dogs to Perla the hotel receptionist in Cologne

A self-confident woman strides on to the Fourth Plinth, Nan Goldin captures sex, cats and death and even the Turner Prize shows promise this year

• See all of our unmissable autumn arts recommendations here

The most anticipated exhibition of the year centres on an embroidered epic of war and conquest that miraculously preserves an intimate window on the Norman invasion of Britain in 1066. Yet, you may find yourself simply fascinated by the artistry of the Anglo-Saxon women who used coloured wool to depict billowing sails, charging horses and King Harold’s spectacular moustache. Jonathan Jones
• British Museum, London, 10 September to 11 July

The last time she displayed a sculpture in public in Britain, someone covered it in white paint. But, undeterred, the acclaimed artist is a placing a black woman in Trafalgar Square

Tschabalala Self is relentlessly positive and unstoppably optimistic. The US artist is waiting for the unveiling of Lady in Blue, her new sculpture for the fourth plinth in Trafalgar Square, London, a towering, colourful painted bronze of a black woman striding (positively, optimistically) into the future. Self seems resolutely hopeful about the work, which is pretty impressive considering what happened to her last public sculpture in the UK. “Yeah,” she says, speaking from her home in upstate New York. “I mean, that was a completely racist act.”

In 2022, Self unveiled Seated at Coal Drops Yard in King’s Cross, London. Like Lady in Blue, it was a vast, brightly painted bronze depiction of a black woman, this time seated demurely on a chair. After being shown at Coal Drops Yard without incident, it was moved to the De La Warr Pavilion in Bexhill-on-Sea, where the reception wasn’t quite as warm. “Within the first week,” says Self, “it was spraypainted white, but only on the skin of the sculpture.” As vandalism goes, it doesn’t get much more pointed, or racist. “The first feeling I had was just pain that my sculpture had been harmed. That someone had enacted violence on an object I had imbued with love and affection.”

The Guardian’s picture editors select photographs from around the world

How did thieves pull off robbery of Antonello da Messina’s 15th-century masterpiece – and why did they leave part of it behind?

At about 8.47pm on the evening of 15 August, while tens of thousands of worshippers filled the streets of central Messina for a religious festival, at least two men cut through the fencing surrounding the regional museum, located a few miles to the north on the outskirts of the Sicilian harbour city.

Capitalising on the fact that the streets around the museum were unusually quiet, the men forced open a side door with a crowbar, gaining direct access to a display case containing the five surviving panels of the Renaissance master Antonello da Messina’s polyptych Polittico di San Gregorio, his most important work, and a small double-sided painting. Undisturbed, they removed the works from the building and fled.

Stavroula Adameitis, AKA Frida Las Vegas, is an Adelaide-based artist and designer known for her camp, pop art aesthetic. A typical work might feature palm trees, poodles, Greek pillars or bin chickens (Australian white ibises), sometimes all at once. Does it veer into kitsch? ‘I hope so,’ she says. ‘Nostalgia, colour and fun can be very energising, and the feeling we get from these objects in popular culture binds us together.’

The term kitsch comes from the German verkitschen, meaning ‘to cheapen’. In the 19th century it was deployed by elites to look down on the supposedly trashy vulgarity of art for the masses. ‘The idea still carries negative connotations,’ says Adameitis. In her new book, she invites us to stop sneering and start relishing Australia’s unparalleled genius for kitsch: ‘Good kitsch laughs with you not at you. It brings people along for the ride.’

A family day in a Florida back yard was the setting for a summertime memory it would be impossible to recreate

Trace Meek is abundantly proud of his Florida back yard. For the last 10 years, he and his wife, Lauren, have worked diligently on it. “It’s our happy place,” he says. “We live in Belleair Bluffs, and I’ve watched my son and daughter grow up playing in the dirt under our giant oak trees, swinging on the tree swing, riding their bikes and scooters on the circular path, and swimming in our pool. It’s big, with a really deep end and three water fountains that shoot over the top. We like to have a last jump into the pool before bed and, best of all, there are no iPads or TVs.”

The family had friends visiting for 4 July celebrations when Meek took this photo on his phone. There were six adults, six children and two dogs present. Harvey, a braque français, is pictured here on Lauren’s lap.

The Nepal-Tibet flood disaster, Russian strikes in Kyiv, Israeli settlers in the West Bank and tributes to Dolly Parton – the past seven days as captured by the world’s leading photojournalists

The British Museum’s landmark cultural exchange is a symbol of post-Brexit rapprochement between Britain and France

“Harold Rex interfectus est”: King Harold is killed. As every British schoolchild knows, the Bayeux tapestry depicts a turning point in the history of these islands: defeat at the Battle of Hastings in 1066, which would lead to the ascent of William the Conqueror to the English throne. Its return to the UK for the first time in nearly 1,000 years is being hailed as a hugely historic moment in its own right. The loan of the tapestry (technically an embroidery of wool on linen) to the British Museum in exchange for UK treasures from Sutton Hoo is the ultimate manifestation of soft power – a 70-metre symbol of post-Brexit Anglo-French rapprochement in comic-strip form.

Ticket sales for the exhibition, which opens on 10 September, were the biggest in a single day in the museum’s history, with online queues of 80,000. Radio 4 is devoting a day of special broadcasts to mark the arrival of the tapestry, including a new drama with verse from the poet laureate Simon Armitage. The museum’s videos explaining this tale of ambition, friendship, betrayal and revenge are fittingly narrated by Traitors presenter Claudia Winkleman. Norman-mania is here.

Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here.

Police hunt two suspects after historic 200-carat piece is snatched from Austrian museum during opening hours

Austrian police are hunting two men alleged to have stolen a 200-carat platinum necklace encrusted with 673 diamonds that was on loan to a museum in Vienna and once belonged to Egyptian royalty.

Authorities in the capital released pictures of the suspects captured by security cameras during the heist at the Museum of Applied Arts (MAK), amid a rash of spectacular smash-and-grab thefts from European cultural institutions.

Police hunt two suspects after historic 200-carat piece is snatched from Austrian museum during opening hours

Austrian police are hunting two men alleged to have stolen a 200-carat platinum necklace encrusted with 673 diamonds that was on loan to a museum in Vienna and once belonged to Egyptian royalty.

Authorities in the capital released pictures of the suspects captured by security cameras during the heist at the Museum of Applied Arts (MAK), amid a rash of spectacular smash-and-grab thefts from European cultural institutions.