More than 170 Jewish artists, also including Joel Coen, Hannah Einbinder and Miranda July, have supported the actor after he criticized Paramount

A collective of more than 170 prominent Jewish artists – including Todd Haynes, Joel Coen, Miranda July, Hannah Einbinder, Wallace Shawn and Naomi Klein – have signed an open letter supporting Mark Ruffalo.

The actor had been accused of invoking antisemitic tropes after he criticized Paramount Skydance, the media company owned by David Ellison, a Donald Trump ally. Ruffalo had spoken out about the $111bn merger with Warner Bros Discovery (WBD).

More than 170 Jewish artists, also including Joel Coen, Hannah Einbinder and Miranda July, have supported the actor after he criticized Paramount

A collective of more than 170 prominent Jewish artists – including Todd Haynes, Joel Coen, Miranda July, Hannah Einbinder, Wallace Shawn and Naomi Klein – have signed an open letter supporting Mark Ruffalo.

The actor had been accused of invoking antisemitic tropes after he criticized Paramount Skydance, the media company owned by David Ellison, a Donald Trump ally. Ruffalo had spoken out about the $111bn merger with Warner Bros Discovery (WBD).

A new season at the BFI celebrates Contemporary Films and its founder Charles Cooper, who bet on Britain taking to Ingmar Bergman, Yasujiro Ozu, Stayajjit Ray – and a young Mike Leigh

Occasionally, vital pieces of the cultural jigsaw disappear without anyone really noticing. This, sadly, was the fate of Contemporary Films, the British film distributor that popularised sophisticated, grownup international cinema – foreign language mostly – in the UK, and heralded the arrival of the auteur generation with directors such as Ingmar Bergman, Satyajit Ray, Andrzej Wajda and Yasujiro Ozu.

Contemporary, and its founder Charles Cooper, weren’t the only game in town – Kenneth Rive’s Gala was a fellow traveller – but Contemporary got there first, setting up shop in 1951, first with short films for the then popular film society sector, and moving into features with the 1952 Japanese film Children of Hiroshima. Its marketplace clout faded rapidly in the early 1990s, when it was a victim of changing industry practices. But amazingly, the company is still with us – and is planning a 75th anniversary series of screenings to showcase its history.

It was a bumper season for Hollywood, almost back to pre-pandemic levels, with Tom Holland blockbusters winning out, but there was still a string of disappointments

As the world continued to burn and temperatures reached worrying highs, most of us decided to take refuge in the cinema this summer. It provided some relief for audiences, but even more so for the industry at large, with the season pushing past the magic $4bn mark to become the biggest since 2019, up 20% from last year. There were the expected hits (Spider-Man never misses), but there were also unprecedented breakouts (we were obsessed with Obsession) and surprise underperformers (are kids Minions-ed out?)

So at the end of a season with epic highs and cavernous lows, what lessons can Hollywood learn?