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Fourth time lucky as Chris Cantrill’s spoof whodunnit wins Edinburgh comedy award 2026

Nominated in three previous years, the rambunctious standup – one half of The Delightful Sausage – wins the prize for his show Rewilding while Marty Gleeson is named best newcomer

The annual Edinburgh comedy award has been won by the standup Chris Cantrill, two years after his comedy partner Amy Gledhill – in the raucous northern double act The Delightful Sausage – won the same prize.

Cantrill, 42 and from Bradford, received the so-called “Oscar of live comedy” for a show, Rewilding, about his new life in rural Northumberland, where an act of vandalism shocks the local community – and a spoof whodunnit ensues. It builds on the foundations laid in 2024 by Easily Swayed, which documented his move to the countryside and secured what was then Cantrill’s third nomination (but first as a solo act) for the award.

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© Photograph: Jack Kirby

© Photograph: Jack Kirby

© Photograph: Jack Kirby

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Chris Cantrill: Rewilding review – a rural whodunnit told with midlife mirth

Monkey Barrel Comedy, Edinburgh
Cantrill shares his struggles descending into middle age and his awkward interactions with fellow villagers in a fun show

Now a four-time nominee for the Edinburgh comedy award, Chris Cantrill is bearing down on James Acaster’s always-the-bridesmaid record – unless 2026 proves to be his year. Would it be merited? Well, there are few comedians in whose company it is more reliably fun to spend time. And that’s resoundingly the case with Rewilding, the follow-up to 2024’s Easily Swayed, in which Cantrill gave an uproarious account of turning 40, moving to the countryside and having (the male, northern, emotionally stunted equivalent of) a breakdown.

The sequel is scarcely less entertaining, but it’s not as well constructed, and its story is less resonant. It begins with this ebullient Bradford native explaining how bad he is at introducing himself, with reference to “drinks and nibs” his wife has coerced him to attend in their Northumbrian village. Cantrill is chronic at small talk, he tells us, yet adept at code-switching – as demonstrated in the company of the “gen Z girls and gays” who love him, rural workers whose opinions he meekly opposes in the pub, and the private-school boys who (as per one gloriously indiscreet section) call the shots where Cantrill works, on Saturday Night Live UK.

At Monkey Barrel Comedy, Edinburgh, until 30 August

All our Edinburgh festival reviews

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© Photograph: Jack Kirby

© Photograph: Jack Kirby

© Photograph: Jack Kirby

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Roll up, tumble down! The show that imagines the US as a collapsing circus – in pictures

At the newly reopened King’s theatre in Edinburgh, as part of the international festival, Geoff Sobelle’s Clown Show is a dizzying whirl through US history

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© Photograph: Murdo MacLeod/The Guardian

© Photograph: Murdo MacLeod/The Guardian

© Photograph: Murdo MacLeod/The Guardian

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Digested week: Is there anything sadder than the end of summer? | Emma Brockes

Plus, views from the Cotswolds of Harry and Meghan’s return, and the embarrassing anachronism that is Ali G

Is there anything sadder than the end of summer? As schools go back next week and parents rely on the boosting effect of a return to routine, we look around for other ways to soften the blow. A few things this year that might make it easier: the need for rain ensures that the advent of autumn is slightly less depressing than usual; people with attic conversions in which you could bake a muffin over the summer will be able to use them again; and if you happen to be a woman of 50 or thereabouts, the fresher weather is ... a relief.

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© Photograph: Adam Vaughan/EPA

© Photograph: Adam Vaughan/EPA

© Photograph: Adam Vaughan/EPA

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Fairytales pending: the fringe musicals hoping to live happily ever after

Edinburgh has given festival audiences a look at two long awaited musicals – Bliss and Disenchanted! – with both aiming to now scale up their spectacle

The Edinburgh fringe is mostly where new work is forged but that’s not the full picture. Amid all the hot-off-the-press shows are a number of familiar titles that have been around for years yet are only making their professional UK debut now. That’s the case with two fairytale musical productions hoping for a longer life whose festival run is a chance to engineer that happily ever after.

Bliss, co-created by Tyler Beattie and Emma Lively, won a new play award in the US in 2019 and had its world premiere in Seattle the year after. A handful of its songs were released in 2022. Now developed into what is billed as “the biggest new musical of the Edinburgh fringe”, it has a cast of 17 which exceeds regular fringe proportions – as does the running time (80 minutes rather than the standard hour).

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© Photograph: Marc Brenner

© Photograph: Marc Brenner

© Photograph: Marc Brenner

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