Fourth time lucky as Chris Cantrill’s spoof whodunnit wins Edinburgh comedy award 2026

29 August 2026 at 15:50

Nominated in three previous years, the rambunctious standup – one half of The Delightful Sausage – wins the prize for his show Rewilding while Marty Gleeson is named best newcomer

The annual Edinburgh comedy award has been won by the standup Chris Cantrill, two years after his comedy partner Amy Gledhill – in the raucous northern double act The Delightful Sausage – won the same prize.

Cantrill, 42 and from Bradford, received the so-called “Oscar of live comedy” for a show, Rewilding, about his new life in rural Northumberland, where an act of vandalism shocks the local community – and a spoof whodunnit ensues. It builds on the foundations laid in 2024 by Easily Swayed, which documented his move to the countryside and secured what was then Cantrill’s third nomination (but first as a solo act) for the award.

Roll up, tumble down! The show that imagines the US as a collapsing circus – in pictures

The Guardian

By: Murdo MacLeod

29 August 2026 at 07:00

At the newly reopened King’s theatre in Edinburgh, as part of the international festival, Geoff Sobelle’s Clown Show is a dizzying whirl through US history

Clown Show review – the American dream explodes over one anarchic night

Charli xcx, Reading Festival review – Pretentious? Just a bit. But Nietzsche would have loved it

The Guardian

By: Chal Ravens

29 August 2026 at 11:23

Reading Festival

There’s not much time to dig into her deep catalogue of future-facing pop, but she satisfies the hardcore

“Time itself is a circle,” as the rock’n’roll philosopher Nietzsche once said, accurately foreshadowing Charli xcx’s only UK festival appearance this summer. Like her performance on Glastonbury’s Other Stage last year – a pyrotechnic farewell to the puke-green reign of Brat – Charli’s Reading and Leeds appearance is a not-quite-headline slot that also follows a rowdy set from grime don Skepta.

Yet in the past 14 months, everything else in Charli’s pop factory has undergone a hard reset. She’s released two albums – a grandiose, gothic soundtrack to Emerald Fennell’s adaptation of Wuthering Heights, and last month’s high-concept Music, Fashion, Film, an album of raw, glitching micro-rock, with guitars shredded into Tetris-like pieces, and fitted with lacerating lyrics about shopping, egotism and mortality. She’s also launched an acting career, thrown a big fat celebrity wedding and, somewhere along the way, found time to rehearse her biggest, most vertiginous show to date.

Fairytales pending: the fringe musicals hoping to live happily ever after

The Guardian

By: Chris Wiegand

28 August 2026 at 10:00

Edinburgh has given festival audiences a look at two long awaited musicals – Bliss and Disenchanted! – with both aiming to now scale up their spectacle

The Edinburgh fringe is mostly where new work is forged but that’s not the full picture. Amid all the hot-off-the-press shows are a number of familiar titles that have been around for years yet are only making their professional UK debut now. That’s the case with two fairytale musical productions hoping for a longer life whose festival run is a chance to engineer that happily ever after.

Bliss, co-created by Tyler Beattie and Emma Lively, won a new play award in the US in 2019 and had its world premiere in Seattle the year after. A handful of its songs were released in 2022. Now developed into what is billed as “the biggest new musical of the Edinburgh fringe”, it has a cast of 17 which exceeds regular fringe proportions – as does the running time (80 minutes rather than the standard hour).