Their raucous pop music has made Katseye the biggest girl band in two decades. Can they weather toxic fandom, critical pans and a dwindling member count?

Before screenings of their new documentary, the members of Katseye appear in a video message to thank fans for their support. Their followers, Eyekons, have played a critical role in their rise to stardom, so it makes sense that Katseye: Wild Hearts, released in global theaters this month, takes a beat to shout out to them. Perhaps more than many other big music groups today, the group’s rise has depended on their relationship with their devotees who ensure that few corners of the world are safe from Katseye mania.

Katseye’s multinational members – Daniela, Lara, Manon, Megan, Sophia and Yoonchae – were selected through a combination of fan votes and judge scores on the 2023 YouTube reality competition The Debut: Dream Academy. The joint project between the American record label Geffen Records and Korean entertainment company Hybe aimed to create a global girl group, with hopefuls participating in a rigorous bootcamp to test their singing and dancing skills. The following year, Netflix’s docu-series Pop Star Academy: Katseye – which documented the group’s nascent era, behind-the-scenes drama and all – catapulted them to a new level of visibility.

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The Grammy winner unites former clients including Lamar and Ravyn Lenae for a playful, dazzling voyage through the guitar’s diversity, from alt-rock to Afrobeat

On this long-awaited debut, Grammy-winning hip-hop producer Dahi steps out from the booth and into the spotlight. He’s best known for transforming a dreamy Beach House sample into Kendrick Lamar’s hit Money Trees, alongside chameleonic production work for SZA, Madonna, Drake and many more. Now that Dahi’s got the mic, what does he want to say?

Blending the brittle 90s British rock he loved as a California teen with the west African grooves his father played in the house, Black Boy (Alternative) celebrates the guitar as a transcendent tool that spans genres and continents. No other album this year will boast such starry guest features – Dahi calls up former clients Lamar, Childish Gambino, Vince Staples and Ravyn Lenae alongside experimentalists such as Moses Sumney, Baby Rose and Fousheé – but it’s testament to the strength of his vision that these distinct voices come together like a bedded-in, playful house band. All trust, no ego.

What track gets your feet moving the moment you hear it – and on to the dancefloor? I Feel Love by Donna Summer? Or We Found Love by Rihanna? We’d love to hear what yours is

There are some songs which are guaranteed dancefloor fillers whether it’s at a wedding, a club or a music festival.

We would love to hear from people about the song that always gets them on the dancefloor. Are you throwing shapes to Beyoncé’s Single Ladies (Put a Ring on It) or ABBA’s Dancing Queen? Why is your go-to song for dancing your favourite?