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‘It’s more freaky, more balls to the wall’: how alt-country won over a new generation
From Waxahatchee and Florry in the US to Brown Horse and Little Grandad in the UK, a wave of young songwriters are reinvigorating the subgenre’s earnest emotion and twang
‘It’s so important to talk about this before it’s gone,” says Francie Medosch, singer, guitarist and songwriter of the band Florry, “because it’s really a flash in the pan.” The flash she means is a brief moment where it feels as though on both sides of the Atlantic, scores of exciting indie bands are playing something that, without slavish copying, has plainly drawn inspiration from alt-country, the music that emerged in the US in the late 1980s and early 90s, when former punks such as Uncle Tupelo – featuring future Wilco co-founder Jeff Tweedy – and the Bottle Rockets picked up picked up fiddles, banjos and acoustic guitars.
In the UK, Brown Horse and Vegas Water Taxi have the weeping pedal steel, in the former case tied to something very heartland and in the latter paired with a very English indie sensibility. Westside Cowboy and Little Grandad both borrow from the spiky rootsiness of early Wilco, while Wyatt play slacker country rock. Over in the US, where there’s always going to be more of this sort of thing, you can point to the current indie-rock holy trinity of Waxahatchee, Wednesday and MJ Lenderman, plus Florry, Ratboys, Thomas Dollbaum, Fust, SG Goodman, Lily Seabird, Ryan Davis and the Roadhouse Band and more.
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© Photograph: Sonja Horsman/Sonja Horsman / The Guardian
© Photograph: Sonja Horsman/Sonja Horsman / The Guardian
© Photograph: Sonja Horsman/Sonja Horsman / The Guardian
