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Cuts like a knife: Canadian rocker Bryan Adams trolls Trump with new song

Musician wrote a ‘love letter’ to Canada with a new album – and some pointed commentary about the US president

Lake Ontario, the vast body of water that straddles the US-Canada border, has gone by many names over the centuries: Lac Saint-Louis, Lacus Ontarius, Skaniadorio, Cataraqui Lake. But one thing it will never be called, says the Canadian rock star Bryan Adams, is Lake America.

In his new song Lake Ontario, Adams takes aim at the US president, Donald Trump, accusing him of “breaking the peace” between the people who live on the lake’s shores.

The ‘lake of shining waters’ is what the Iroquois called her

It’s a First Nations name – not an executive order.

But things weren’t going his way in Iran

So like a baby tossing the toys from the pram

You can push us to the brink

But where the open road divides

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© Photograph: Christopher Polk/Billboard/Getty Images

© Photograph: Christopher Polk/Billboard/Getty Images

© Photograph: Christopher Polk/Billboard/Getty Images

​‘He buckled. I could hear his bass ringing out ...’ The luminous rise and tragic end of US alt heroes Morphine

29 October 2026 at 19:00

​Fronted by Mark Sandman​,​ the group brought enigmatic, elegant rock to post-grunge America. As lost demos surface, those closest to Sandman remember a man who grabbed on to life’s joys

It’s early 1998, and at Fort Apache recording studio in Massachusetts, Mark Sandman, the suave frontman of Morphine, is nearing breaking point. Morphine’s four enigmatic and blackly humorous albums have won critical acclaim and, lately, unexpected commercial success considering their uncompromising creative vision. After the excesses of grunge, Sandman considered their idiosyncratic blend of sophisticated storytelling, prowling slide-bass and Dana Colley’s atmospheric saxophone a kind of “palate cleanser”.

In 1997 Morphine had signed to DreamWorks Records, founded by industry bigwigs David Geffen and Mo Ostin. Now, working on Morphine’s first LP for his new paymasters – a batch of songs finally seeing release almost three decades later – Sandman was consumed by doubt over their direction. “For the first time, Morphine were trying to please someone other than just ourselves,” remembers Colley.

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© Photograph: Martin Beddall/Alamy

© Photograph: Martin Beddall/Alamy

© Photograph: Martin Beddall/Alamy

‘Algorithms make everything predictable’: why the CD is making a comeback

29 October 2026 at 16:00

As John Lewis reports a 96% rise in searches for CD players, music fans share their reasons for ditching streaming

CDs appear to be having a resurgence. John Lewis said searches for CD players are up 96% since July, while another report on trends in music and film this year found that CD sales are up 16%.

With this in mind, we asked music fans why they favour discs over other formats, and if it is a new preference or a lifetime habit.

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© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

‘Algorithms make everything predictable’: why the CD is making a comeback

29 October 2026 at 16:00

As John Lewis reports a 96% rise in searches for CD players, music fans share their reasons for ditching streaming

CDs appear to be having a resurgence. John Lewis said searches for CD players are up 96% since July, while another report on trends in music and film this year found that CD sales are up 16%.

With this in mind, we asked music fans why they favour discs over other formats, and if it is a new preference or a lifetime habit.

Continue reading...

© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

© Photograph: Sueddeutsche Zeitung Photo/Alamy

The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel

29 October 2026 at 15:00

(Fiction)
After frontperson Juliette Jackson lost half her hearing, she wrote sad songs and felt frustrated. So she pivoted, writing herself a happy ending. The results are joyfully convincing

From the outside, it looks as if things have gone swimmingly for the Big Moon. Fronted by Juliette Jackson, a former waitress who dreamed big, they have been active for 12 years, a success in itself in these days, notching up four albums including this latest. They have enjoyed a Mercury nomination (for 2017 debut Love in the 4th Dimension), decent chart positions, good-sized gigs and streaming figures in the hundreds of thousands, or millions in the case of 2019 single Your Light.

Delve beneath the surface, however, and things haven’t always been so sunny. After their debut’s ramshackle wide-eyed pop, second album Walking Like We Do detailed the travails of contemporary womanhood, and Your Light found Jackson bemoaning her generation’s lot with a weary resignation: “We were promised the world, but so was everyone else”. 2022’s Here Is Everything was conceived during Covid and processed Jackson’s life-changing experience of becoming a mother, including the disorienting experience of lack of sleep. Tricky stuff, if nothing that made Jackson’s concerns much different from vast swathes of the population.

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© Photograph: Melanie Lehmann

© Photograph: Melanie Lehmann

© Photograph: Melanie Lehmann

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