Christine Edzard’s The Man With the Plan tours the country with a timely message about tackling want, disease, squalor, idleness and ignorance

A new film that addresses issues fundamental to the new prime minister’s declared mission will star Simon Callow as a historical British political figure.

The hero of The Man With the Plan is William Beveridge, who helped to lay the foundations of the postwar welfare state. It shows that the Liberal peer was much more radical than is usually assumed – and certainly far more so than Churchill anticipated when he asked Beveridge to draw up a report into the future of Britain’s fragmented social insurance and national health system after the second world war.

Beckett’s masterpiece is given a postmodern cinema slant, with characters in different locations, music and humour in a free and fanciful interpretation

Remember remixes? Where you take a song and swap out parts of it with new or pre-existing material, changing it just enough to be still recognisable? Argentinean director Alejo Moguillansky applies this quintessentially postmodern aesthetic to film with a funky cinematic remix, or even series of remixes, of Samuel Beckett’s one-act play Fin de Partie, AKA Endgame. The result feels a little retro and possibly a bit too pleased with its own cleverness, and the spoonerist title is juvenile. But in the end this really achieves something with both the source material and the remix that’s fresh, pleasingly provocative, and at times moving.

Beckett’s 1957 absurdist masterwork has just four characters on stage throughout, two of whom do most of the talking: cantankerous blind, disabled Hamm banters with his servant/slave Clov, while Hamm’s parents, Nagg and Nell, live in dustbins upstage and talk rather less. There’s an air of apocalyptic doom, much talk of drugs, food and, above all, time running out.