People hit the streets of west London as Europe’s largest street carnival marks its 60th year, celebrating Caribbean history and culture

Julius Mugabo launches landmark case as union says thousands in capital lost incomes due to ‘broken system’

An Uber driver who got into thousands of pounds of debt and feared losing his home due to delays in Transport for London renewing his licence to pick up passengers is taking on the organisation in the high court in the first challenge of its kind.

Julius Mugabo, 55, has been an Uber driver licensed by TfL since 2016. Under the Private Hire Vehicles (London) Act 1998, all minicab drivers cannot work lawfully unless TfL has carried out checks on them and issued or renewed their licences. These licences must be renewed every three years.

The latest in our series of writers highlighting their go-to comfort films is an ode to the teary 1994 adaptation of the classic novel

I have an ongoing argument with some friends about how I refuse to watch Interstellar again, despite considering it a beautiful and well-crafted film. It’s just so sad, I tell them, even with its hopeful ending. A desperate, choking lump forms in my chest as soon as I hear the futuristic swells of Hans Zimmer’s score and I have to remove myself before I am overtaken by emotion.

But at the same time, the movie I choose as my feelgood film is one that has reduced me to a sobbing, snotty mess time and time again, whether I’m watching it curled up with my cat on the couch, swaddled in blankets while sick in bed or jostling with my seatmate for the armrest on an airplane. And just like with the score from Interstellar, the moment I hear Thomas Newman’s wistful little oboe intro of the 1994 version of Little Women, I can feel my eyes well up with tears.

Concern among staff that fragile artwork’s scarce ‘light hours’ given to someone with no known interest in museum

The British Museum privately hosted the Donald Trump-supporting tech billionaire Peter Thiel in the exhibition space of the Bayeux tapestry earlier this month, the Guardian understands.

The museum’s director of development, Charlotte Appleyard, hosted the PayPal founder at a VIP viewing of the tapestry, which is yet to open to the public, on 18 August.

Concern among staff that fragile artwork’s scarce ‘light hours’ given to someone with no known interest in museum

The British Museum privately hosted the Donald Trump-supporting tech billionaire Peter Thiel in the exhibition space of the Bayeux tapestry earlier this month, the Guardian understands.

The museum’s director of development, Charlotte Appleyard, hosted the PayPal founder at a VIP viewing of the tapestry, which is yet to open to the public, on 18 August.