Country music fans use the Long Road festival in Leicestershire to mark the passing of Dolly Parton
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© Photograph: Orlando Gili/The Guardian
© Photograph: Orlando Gili/The Guardian
© Photograph: Orlando Gili/The Guardian
© Ron Galella, via Getty Images
Grammy award-winning American artist selected as 13th person to submit written work to Oslo-based project
The next manuscript by the American artist Laurie Anderson will remain unseen for 88 years, as she becomes the 13th figure to contribute to the Future Library project.
Anderson joins Margaret Atwood, Han Kang, Ocean Vuong and other prominent authors who have written secret manuscripts, which have been locked away until 2114.
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© Photograph: Wolfgang Tillmans
© Photograph: Wolfgang Tillmans
© Photograph: Wolfgang Tillmans
Grammy award-winning American artist selected as 13th person to submit written work to Oslo-based project
The next manuscript by the American artist Laurie Anderson will remain unseen for 88 years, as she becomes the 13th figure to contribute to the Future Library project.
Anderson joins Margaret Atwood, Han Kang, Ocean Vuong and other prominent authors who have written secret manuscripts, which have been locked away until 2114.
Continue reading...
© Photograph: Wolfgang Tillmans
© Photograph: Wolfgang Tillmans
© Photograph: Wolfgang Tillmans
If you haven’t yet heard about how a certain fella is choosin’ a woman from Texas over Ella Langley, it’s only a matter of time.
Langley’s massive hit, “Choosin’ Texas,” began dominating the Billboard Hot 100 charts a few months ago — and never looked back. It’s still sitting at No. 1 after 19 weeks, tied for the longest time spent atop the charts among non-holiday songs. In a few more weeks, Langley could shatter the all-time record and dethrone Mariah Carey’s “All I Want for Christmas Is You.”
It’s a runaway success for Langley, who is relatively new to country music but has quickly vaulted to a new tier of stardom. To break down how it happened, Today, Explained turned to Marissa Moss, a senior writer at Rolling Stone and the author of Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be.
Moss talked with Today, Explained co-host Noel King about where Langley’s success came from, what it means for women in country music, and why many fans don’t know what to make of Langley, who has maintained a low profile for a star artist.
Below is an excerpt of the conversation, edited for length and clarity. There’s much more in the full podcast, so listen to Today, Explained wherever you get podcasts, including Apple Podcasts, Pandora, and Spotify.
Tell me about “Choosin’ Texas.”
“Choosin’ Texas” is a song about a woman who is essentially losing her man in real time. She goes to a bar or a honky-tonk in Texas. She’s from Tennessee. She suddenly realizes that he sees his ex who’s from Texas and drifts away from her to this woman. It’s that feeling of knowing when you see it in someone’s face that they’re going to be leaving you and figuring out whether it’s worth it to hold on or to let go.
How big is this song, exactly?
It is huge. It is up there right now in competition with Mariah Carey’s “All I Want for Christmas Is You,” which owns the record for the most weeks at No. 1 on the Billboard Hot 100 with 22 weeks. Her only [other] competition is from Shaboozey and Lil Nas X, which are country-adjacent songs.
She really could blow by Mariah Carey. Of course you get a boost every time Christmas comes around, but we’re a little ways off from Mariah Carey declaring once and for all that it’s Christmas season. So I think Ella has plenty of time to catch up. And it could be the biggest song of all time, which is crazy.
You’re a music writer and you’re based in Nashville. How big a deal is Ella Langley in a place like Nashville and in the country industry?
She’s a big deal. And it’s exciting because she’s a relatively newish artist in terms of how long she’s been putting out music. She only released her debut album in 2024, called Hungover.
It’s really exciting because as a lot of people know, it can be really hard for a woman to make it in Nashville. Usually under 10 percent of songs on country radio are by women, so having someone like her out there and having so much country radio airplay and presence on the Hot 100 and breaking all these records, you really hope that it’s going to help influence people in Nashville to sign more women, platform more women, do all of those things to try to sort of flip this longstanding sexism that has existed in Nashville.
Not to put all of our hopes and dreams on one woman, because it’s not up to her to do this. It’s up to the industry to respond. But you sure have to hope so.
Was it a surprise that “Choosin’ Texas” became such a big hit?
I would’ve never predicted this. I loved the song when I heard it, but I don’t think I ever thought that something this country could be this popular.
“Despite the lyrical content, which may be a little bit of a bummer, the song does just feel so good. And it’s like a little bit of a brain weed gummy.”
And yes, country music is becoming so much more popular nationwide, worldwide. But it is also country music in a lot of ways that is a little bit more pop-leaning. Morgan Wallen is extremely popular, but he’s not putting out super-twangy tears-in-your-beer kind of country music songs.
“Choosin’ Texas” is kind of sad, but more than sad, I think it’s relatable. It taps into this feeling that a lot of people have, especially in the summer. If you’re thinking about a summer romance, of losing something that you once had, of letting go, of nostalgia, I think that’s something that we really want to feel right now.
And despite the lyrical content, which may be a little bit of a bummer, the song does just feel so good. And it’s like a little bit of a brain weed gummy. The second it comes on and you hear that little guitar lick it relaxes you. It gives you that summer feel of airy and fresh and a lot of people want to feel that way right now.
You’ve said she’s not a person who shares a ton about herself. Probably smart in this day and age. But country music often does get politicized. And I’ve seen that happening a bit around her and around this song. Tell me about the way she is being slotted into certain perspectives in the US, whether she wants to be or not.
One thing I’ve seen is a lot of people from the far right wanting to use her as an example of a return to sort of this anti-girlboss era. They like to take the fact that she speaks about her faith on stage and warp that into that being sort of her overriding agenda and that she wants this return to traditional values.
And then on the left, I’ve seen some people sort of play with the same. I personally think you could just as easily make a case that she’s a feminist who had Miranda Lambert produce her album and writes with women and takes all these women on tour.
So many people want this moment to serve their own narrative and want Ella Langley to stand for something on every side. And if you don’t give people a little, they’re going to go wild. But maybe that’s better than putting your personal views out there and having them ripped apart. I can’t say I really blame her, to be honest.
Country star came to South Yorkshire town in 2007 for UK launch of the Imagination Library, her book donation scheme
Shane Jarman was up a ladder decorating a Christmas tree at the school where he was deputy headteacher when he got a call asking him to come to Rotherham hospital ASAP. It was December 2007 and Jarman’s wife, Claire, had given birth the previous day to their first child, a girl called Emma, so of course he rushed to the phone. All was well, he was told, but that “everything would become clear” when he got to the hospital.
Once there, his wife told him – somewhat unexpectedly – that they were going to meet Dolly Parton. “And literally within what felt like five minutes,” he recalled, “there were great camera flashes, lots of noise, lots of clicking and in walked this real big bundle of energy.”
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© Photograph: The Rotherham NHS Foundation Trust
© Photograph: The Rotherham NHS Foundation Trust
© Photograph: The Rotherham NHS Foundation Trust
Their un-Googlable, very online name is the antithesis of this earthy duo’s sublime art-folk. Like their emotionally ambiguous music, the pair don’t give up their mysteries easily
• The best music of autumn 2026: Johnny Marr, Phoebe Bridgers, Rachel Chinouriri and more
• See all of our unmissable autumn arts recommendations here
Victoria Rose arrives at Philadelphia’s 30th St Station and apologises for the sticky streaks covering her car’s interior. She’s a beekeeper, and it’s just propolis, a resinous sealant for gaps in the hive. Her bandmate, Stone Filipczak, is riding shotgun, and her protective gear occupies the rear passenger seat. We’re heading to one of their favourite spots, an Ethiopian restaurant that doubles as a venue. The dining room quickly gets boisterous – a challenge for our interview given that Filipczak and Rose are relatively soft speakers, and not wildly keen to divulge specifics about the music they make as @. Like Rose’s bees, they’re a secretive and self-sustaining pair.
As you might guess, @ is pronounced “at”. It’s a tough Google. The name, Filipczak explains, came from “a vision of an @ sign on a kick drum head”. Not that they have any need for one: @’s art-folk is rooted in acoustic guitar, woodwinds and vocal harmonies that furrow and frolic. Their fantastic second album, Autosmile, is their first with the venerated indie label 4AD. (The name is a reference to a meme showing a dopey sunflower: “When you and gang faded and auto smile gets turn on …”)
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© Photograph: Ingmar Chen
© Photograph: Ingmar Chen
© Photograph: Ingmar Chen
Irish noisemongers Gilla Band, shadowy producers Two Shell and lovable band the Big Moon have new records, and there are tours from Bob Dylan and Kelela – plus the best of jazz, global and classical
• ‘It’s easier when nobody’s watching’: inside the secretive and sublime freak-folk of @
• See all of our unmissable autumn arts recommendations here
© Composite: Guardian Design/Kaio Cesar/Patrick McCormack
© Composite: Guardian Design/Kaio Cesar/Patrick McCormack
© Composite: Guardian Design/Kaio Cesar/Patrick McCormack
Reading Festival
There’s not much time to dig into her deep catalogue of future-facing pop, but she satisfies the hardcore
“Time itself is a circle,” as the rock’n’roll philosopher Nietzsche once said, accurately foreshadowing Charli xcx’s only UK festival appearance this summer. Like her performance on Glastonbury’s Other Stage last year – a pyrotechnic farewell to the puke-green reign of Brat – Charli’s Reading and Leeds appearance is a not-quite-headline slot that also follows a rowdy set from grime don Skepta.
Yet in the past 14 months, everything else in Charli’s pop factory has undergone a hard reset. She’s released two albums – a grandiose, gothic soundtrack to Emerald Fennell’s adaptation of Wuthering Heights, and last month’s high-concept Music, Fashion, Film, an album of raw, glitching micro-rock, with guitars shredded into Tetris-like pieces, and fitted with lacerating lyrics about shopping, egotism and mortality. She’s also launched an acting career, thrown a big fat celebrity wedding and, somewhere along the way, found time to rehearse her biggest, most vertiginous show to date.
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© Photograph: Henry Redcliffe/PA
© Photograph: Henry Redcliffe/PA
© Photograph: Henry Redcliffe/PA
With Lazy Thinking in Sydney the latest venue to shut its doors, the once-vibrant grassroots music scene is becoming increasingly vulnerable
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Jim Flanagan has four days to hand his keys back to his landlord.
Panels engulfed in grungy band posters, handmade plates that have served countless customers, a shelving unit housing a library of iconic vinyls: all of it will be sold for next to nothing in the rush to vacate.
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© Photograph: Teagan Glenane/The Guardian
© Photograph: Teagan Glenane/The Guardian
© Photograph: Teagan Glenane/The Guardian
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