❌

Normal view

‘A form of anti-status status’ – how much would you pay for a plain tote bag?

23 October 2026 at 09:00

The ubiquitous carrier has been given a four-figure makeover. But why has an everyday bag associated with running errands and US supermarkets become so aspirational?

• Don’t get Fashion Statement delivered to your inbox? Sign up here

If you were in the blessed position of having £500 to spend on a bag, what would you look for? Would it be made of cotton? A nice light shade bound to sully quickly, like “paper white” or ecru? Would you want something that looks a lot like those ubiquitous totes sold by a certain US supermarket chain for a couple of dollars?

No, thought not. But there are plenty of options if you do. Phoebe Philo, former Celine designer and quiet luxury pioneer, offers a white canvas shopper, made entirely from cotton except for the silver brass hardware of its internal zipped pocket, for £450. Luxury Swedish brand Toteme’s “effortless tote bag” is made from organic cotton canvas and is available in dark brown, red or classic ecru. It goes for £510. Tom Ford’s version, at £1,600, differentiates itself a little, with a body made exclusively of cotton canvas but trims and handles from calfskin. Prada’s, which features leather details and metal hardware, could be yours for over £2,000.

Continue reading...

© Photograph: Phoebe Philo, Boat and Tote and Toteme

© Photograph: Phoebe Philo, Boat and Tote and Toteme

© Photograph: Phoebe Philo, Boat and Tote and Toteme

‘I wanted to create the female version of a man’s suit’: how Roland Mouret’s Galaxy dress took over the world

22 October 2026 at 09:00

One the most famous dresses of this century, it was worn by royalty and A-list celebrities in the noughties. Its latest fans are Maga women. Here, the designer, and former mentor to Victoria Beckham, reveals the story behind it

The story of one of the most photographed and ripped-off dresses of the last 50 years came together with a simple zip. It was 1998; the designer Roland Mouret had shown his first collection at London fashion week and was looking for a way to produce good clothes at speed. He connected with a small British atelier and it was there that some old-school industry wisdom would alter his course: he learned that a longer seam doesn’t actually cost any more than a shorter one.

Despite his brilliantly instinctive approach to design, it was like cracking a code – and steered him towards the dress that would make his name. “My brain was buzzing!” he says. “I hadn’t thought about it before – if you extend a top by 50cm, it becomes a whole outfit. You just need accessories. Focusing on dresses gives you a signature piece at the right price.”

Continue reading...

© Composite: MediaPunch/Getty Images/WireImage

© Composite: MediaPunch/Getty Images/WireImage

© Composite: MediaPunch/Getty Images/WireImage

❌