Beldina Odenyo alchemised the pain of exile, loss and racism into music as Heir of the Cursed before her death in 2021, as this attentive tribute explores

Instead of an artist in a booth, a lone amplifier plays the music of singer-songwriter Beldina Odenyo for a cluster of microphones to pick up during the posthumous recording of her debut album. It is a haunting encapsulation of the absence and presence at the heart of Louise Lockwood’s documentary, which makes a commendably thorough exploration of the mental illness that led to Odenyo killing herself in November 2021, and its roots: exile, loss and racism.

Performing under the moniker Heir of the Cursed, a translation of the Tetela name of assassinated Congolese leader Patrice Lumumba, Odenyo was on the verge of bigger recognition at the end of 2021 after a successful performance at Edinburgh’s Usher Hall. But hemmed in by successive Covid lockdowns, the 31-year-old is clearly unwell in a discomfiting backstage interview. Squirming, monosyllabic, she seems to be regressing to the non-verbal state of shock in which she arrived in Dumfriesshire from Kenya as a young child.

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• 4 September